Call for Applications – ACE Mentoring Programme NL 2025

The ACE Mentoring Programme aims to support producers from the Netherlands and Dutch Overseas Territories in managing their careers and developing their international network, by providing them with the opportunity to learn from established mentors actively working within the European film industry.

The goal is to help these emerging producers reach the next level of experience and help them in the development of their international network.

Each year three Dutch producers will be selected for the programme. After selection, each producer will be matched to a mentor according to their specific needs. Throughout the year the producer will have up to 4 meetings with their mentor, either at international festivals and events where both are present, or online. Participation in the Mentoring Programme NL is free of charge (all travel and accommodation expenses that may arise will not be covered by the organisation).

To best benefit from the programme, we ask producers to have a full-length project in development which can be fiction, animation or documentary.

The ACE Mentoring Programme NL has been set up in collaboration with the Netherlands Film Fund.

PROGRAMME DATES
February – December 2025, up to 4 (online) meetings held throughout the year.

ELIGIBILITY CONDITIONS

  • Emerging producers from the Netherlands and Dutch Overseas Territories with some experience in production, who are looking to expand their knowledge of international co-production, feature film financing, production, sales, distribution, marketing and business development;
  • Producers should have at least one credit on a film or TV series, without necessarily having a full production credit;
  • Producers need to have a full-length fiction, animation or documentary project in development;
  • Producers would need to be committed to the programme for the entire duration.

PARTICIPATION DETAILS

  • Up to 3 producers will be selected;
  • Participation is free of charge;
  • All travel and accommodation expenses that may arise will not be covered by the organisation.

APPLICATION DEADLINE
The deadline to apply is 10 December 2024. We will accept applications till 18:00 CET.

HOW TO APPLY
All applicants will be asked to complete an application form comprising of:

  • A motivational letter;
  • Company profile;
  • Producer’s biography;
  • Producer’s filmography & current projects.

Before applying please read the eligibillity coinditions carefully. If you are eligible you can apply by filling in the application form.

FOR MORE INFORMATION
For questions contact Springboard Manager Maegene Fabias:
maegenefabias@ace-producers.com.

Together with the ACE Training Days, the ACE Mentoring Programme, is part of ACE Springboard, a combination of programmes focusing on emerging independent producers to strengthen their careers at an early stage. ACE Springboard provides participants with the tools needed to be adaptable and innovative in an ever-changing film industry – for a successful new generation of independent producers!

More information on the ACE Springboard Programmes can be found here.
For questions, contact us at ace@ace-producers.com.

European Film Awards 2024 Nominations for ACE producers

EUROPEAN FILM

SOUNDTRACK TO A COUP D’ETAT by Johan Grimonprez
Co-produced by Frank Hoeve (ACE The Netherlands)

VERMIGLIO by Maura Delpero
Produced by Francesca Andreoli (ACE Italy)
Co-produced by Jacques-Henri Bronckart (ACE Belgium)

EUROPEAN DOCUMENTARY

SOUNDTRACK TO A COUP D’ETAT by Johan Grimonprez
Co-produced by Frank Hoeve (ACE The Netherlands)

EUROPEAN DISCOVERY

ARMAND by Halfdan Ullmann Tøndel
Produced by Andrea Berentsen Ottmar (ACE Norway)
Co-produced by Koji Nelissen (ACE The Netherlands), Derk-Jan Warrink (ACE The Netherlands)
Executive Produced by Dyveke Graver (ACE Norway)

SANTOSH by Sandhya Suri
Co-produced by Roman Paul (ACE Germany), Carole Scotta (ACE France)

EUROPEAN DIRECTOR

VERMIGLIO by Maura Delpero
Produced by Francesca Andreoli (ACE Italy)
Co-produced by Jacques-Henri Bronckart (ACE Belgium)

EUROPEAN ACTRESS

Renate Reinsve for ARMAND by Halfdan Ullmann Tøndel
Produced by Andrea Berentsen Ottmar (ACE Norway)
Co-produced by Koji Nelissen (ACE The Netherlands), Derk-Jan Warrink (ACE The Netherlands)
Executive Produced by Dyveke Graver (ACE Norway)

Trine Dyrholm for THE GIRL WITH THE NEEDLE by Magnus von Horn
Produced by Mariusz Włodarski (ACE Poland)
Co-produced by Madeleine Ekman (ACE Sweden)

Vic Carmen Sonne for THE GIRL WITH THE NEEDLE by Magnus von Horn
Produced by Mariusz Włodarski (ACE Poland)
Co-produced by Madeleine Ekman (ACE Sweden)

EUROPEAN ACTOR

Lars Eidinger for DYING by Matthias Glasner
Produced by Jan Krüger (ACE Germany)

EUROPEAN SCREENWRITER

Magnus von Horn and Line Langbek for
THE GIRL WITH THE NEEDLE by Magnus von Horn
Produced by Mariusz Włodarski (ACE Poland)
Co-produced by Madeleine Ekman (ACE Sweden)

EUROPEAN UNIVERSITY FILM AWARD

ARMAND by Halfdan Ullmann Tøndel
Produced by Andrea Berentsen Ottmar (ACE Norway)
Co-produced by Koji Nelissen (ACE The Netherlands), Derk-Jan Warrink (ACE The Netherlands)
Executive Produced by Dyveke Graver (ACE Norway)

SHORT FILM

THE MAN WHO COULD NOT REMAIN SILENT by Nebojša Slijepčević
Co-produced by Katya Trichkova (ACE Bulgaria)

WANDER TO WONDER by Nina Gantz
Produced by Stienette Bosklopper (ACE The Netherlands)

Call for Applications – ACE Mentoring Programme EU 2025

The ACE Mentoring Programme aims to support upcoming producers in managing their careers and developing their international network, by providing them with the opportunity to learn from established mentors actively working within the European film industry.

The goal is to help these emerging producers reach the next level of experience and help them in the development of their international network.

Each year up to 10 producers, based in the EU or a Creative Europe MEDIA Programme country, will be selected for the Mentoring Programme EU. However, there are also three spaces open for producers from non-EU countries. With this, ACE Producers wants to contribute in creating a film industry that is more inclusive and diverse.

After being selected, each producer will be matched to a mentor according to their specific needs. Throughout the year, the producers will have up to 4 meetings with their mentor, online or if possible in person at international festivals and events.

To best benefit from the programme, we ask producers to have a full-length project in development – fiction, animation or documentary.

PROGRAMME DATES
February – December 2025 with a total of 4 (online) meetings held throughout the year.

ELIGIBILITY CONDITIONS

  • Emerging producers with some experience in production, who are looking to expand their knowledge of international co-production, feature film financing, production, sales, and (online) distribution;
  • Producers should have at least one credit on a film or TV series, without necessarily having a full production credit;
  • Producers need to have a full-length fiction, animation or documentary project in development;
  • Producers would need to be committed to the programme for the entire duration.

PARTICIPATION DETAILS & FEE

  • Up to 10 producers will be selected;
  • Participation fee is 300€ for each participant;
  • All travel and accommodation expenses that may arise will not be covered by the organisation.

APPLICATION DEADLINE
The deadline to apply is 10 December 2024. We will accept applications till 18:00 CET.

HOW TO APPLY
All applicants will be asked to complete an application form comprising of:

  • A motivational letter;
  • Company profile;
  • Producer’s biography;
  • Producer’s filmography & current projects.

Before applying please read the eligibility conditions carefully. If you are eligible you can apply by filling in the application form.

FOR MORE INFORMATION
For questions contact Springboard Manager Maegene Fabias:
maegenefabias@ace-producers.com.

Together with the ACE Training Days, the ACE Mentoring Programme, is part of ACE Springboard, a combination of programmes focusing on emerging independent producers to strengthen their careers at an early stage. ACE Springboard provides participants with the tools needed to be adaptable and innovative in an ever-changing film industry – for a successful new generation of independent producers!

More information on the ACE Springboard Programmes can be found here.
For questions, contact us at ace@ace-producers.com.

SELECTED PRODUCERS ANNOUNCED FOR TRAINING DAYS POLAND 2024

ACE Producers and the Independent Film Foundation are proud to announce the 14 emerging producers selected for the fourth edition of ACE Training Days Poland, a workshop aimed at strengthening upcoming producers from Central Eastern European countries. Focusing on “The Essentials of Co-Producing: What’s the Deal with Negotiating”, it gives the participants the opportunity to learn from established producers and film professionals and to further develop their international network. The ACE Training Days Poland is supported by th Polish Film Institute.

The 2-day interactive workshop, taking place on 20 and 21 November, will include plenary sessions and case studies, as well as group meetings and round table discussions, provided with the help of ACE consultants and producers who have notably strong track-records in negotiation, international financing, co-production, sales, and distribution, and who will share their knowledge and international expertise.

The Training Days Poland is connected to the ACE 34 Financing Strategies Workshop (18 – 23 November 2024, Warsaw), which is a workshop within the ACE Annual Programme organised for the selected 18 experienced producers from Europe and beyond.

SELECTED PRODUCERS FOR ACE TRAINING DAYS POLAND:

Brigita Beniušytė – M-Films – Lithuania

Gunda Bergmane – Nafta Films – Latvia

Patricia D’Intino – Good Kids – Hungary

Aneta Dobies – House Media Company – Poland

Antra Gaile – Air Productions – Latvia

Anna Gawlita – Kijora Film – Poland

Alžběta Janáčková – Silk Films – Czech Republic

Maria Leźnicka – Haja Films – Poland

Zala Opara – Vertigo Ljubljana – Slovenia

Tomáš Pertold – Perfilm – Czech Republic

Dagmara Piasecka – Green Rat Production – Poland

Adriana Racasan – Point Film – Romania

Dorota Schleiss – ASF Studio – Poland

Łukasz Szklarz – Under Ski Tower – Poland

Together with the ACE Mentoring Programme, the ACE Training Days are part of ACE Springboard, a combination of programmes strengthening emerging independent producers. ACE Springboard provides participants with the tools needed to be adaptable and innovative in an ever-changing film industry – for a successful new generation of independent producers.

Please find more information here, for more information please contact us at ace@ace-producers.com.

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Call for Applications – ACE Animation Special 2025

The ACE Animation Special, held in Dingle, Ireland, between the 18th and 23rd of March 2025, is supported by Creative Europe MEDIA, the Netherlands Film Fund, Screen Ireland and Animation Ireland, and is organised in close collaboration with Animation Dingle.

The workshop is aimed at experienced producers who want to diversify their activities to include, and/or deepen their knowledge of, developing and producing long form/feature film animation production for an international audience (cinema, broadcast or streaming).

16 to 18 producers will be selected for the workshop, preferably with a long form/feature length animation project at concept stage. Focusing primarily on the creative and financial aspects of feature and longform animation production, the ACE Animation Special will offer sessions on animatic story development, international production workflows, the creative dynamics of animation production, financing strategies and international distribution. The workshop will also include one or more sessions on physical line production as well as case studies on completed animation projects. Group sessions, plenary sessions and one to one meetings will together build a workshop where producers learn from each other’s experiences and those of key industry guests.  

APPLICATION DEADLINE
29 November 2024
Up to 18 spaces available

WORKSHOP DATES
18 March – 23 March 2025

LOCATION
Dingle, Ireland

FOR FURTHER DETAILS
More information on eligibility, participation fees and how to apply can be found on the ACE Animation Special page.

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PRODUCERS SELECTED FOR ACE Training Days NL 2024

13 emerging producers have been selected for the upcoming ACE Training Days NL. Taking place from 8 – 10 October 2024 in Leiden and Amsterdam, the workshop will focus on “The Essentials of International Co-Production”.

The ACE Training Days NL is a tailor-made programme designed for emerging producers from The Netherlands, Germany, Belgium, and Luxembourg who are at relatively early stages of their careers and looking to expand their networks and learn more about the international context of the audiovisual industry. The workshop welcomes producers working in fiction, animation and documentary, and strives to make the industry more inclusive and diverse.

This interactive workshop will include plenary sessions, case studies, and group meetings provided with the help of ACE consultants and producers who have notably strong track records in marketing and promotion of international co-production projects, and who will share their knowledge and international expertise.

The ACE Training Days NL was set up in collaboration with the Netherlands Film Fund – a key funder of ACE Producers.

PRODUCERS SELECTED FOR ACE TRAINING DAYS NL 2024

Laura Bouwmeester – Labyrint Film – The Netherlands

Flavia Biurrun – Saga Film – Belgium

Rosa Duvekot – Mint2 – The Netherlands

Marten van Warmerdam – Graniet Film – The Netherlands

Fabien Colas – 35M Film – Luxembourg

Virginia Martin – Contando Films – Germany

Julian Haisch – Lemming Film – The Netherlands

Claudio Montesano Casillas – The Waves – The Netherlands

Ruoyao Jane Yao – Vines Films – The Netherlands

Felix Dukker – Murmur Pictures – The Netherlands

Sandra Müller – Marlene Film – Germany

Vincent Edusei – Carousel  Film – Germany

Jasper Wiedhöft – Reynard Films – Germany

Together with the ACE Mentoring Programme, the ACE Training Days, is part of ACE Springboard, a combination of programmes focusing on emerging independent producers to strengthen their careers at an early stage. ACE Springboard provides participants with the tools needed to be adaptable and innovative in an ever-changing film industry – for a successful new generation of independent producers!

More information on the ACE Springboard Programmes can be found here.
For questions, contact us at ace@ace-producers.com.

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ACE 34 Producers Selected

Nicholas Alavanos – Filmiki Productions – Greece
“Yuri” directed by John Gripeos

Anna Maria Aslanoğlu – istos film – Turkey
“100 Thousand Turkish Lira” directed by Nazli Elif Durlu

Andrea Berentsen Ottmar – Eye Eye Pictures – Norway
“Slave” directed by Stefan Faldbakken

Julie Billy – June Films – France
“Expectation” directed by Clémence Poesy

Miljenka Čogelja – Pipser – Croatia
“Suspicious Area” directed by Filip Peruzović

Tania El Khoury – Les films de l’Altaï – France
“Tide” directed by Hussen Ibraheem

Carla Fotea – microFILM – Romania
“The Price of Gold” directed by Eugen Jebeleanu

Verena Gräfe-Höft – Junafilm GmbH – Germany
“The Uninvited Guest” (WT) directed by Julia Drache

Olivier Guerpillon – Fox in the Snow Films AB – Sweden
“CAR:Y” director tbc

Janne Hjeltnes – The Global Ensemble Drama – Norway
“First Aid for Killers” (WT) directed by Bobbie Peers

Kamilla Hodøl – Elation Pictures Ltd – United Kingdom
“Weightlessness” directed by Simon Cartwright

Fanny-Laure Malo – La Boîte à Fanny – Canada
“Suzanne Falling” directed by Philippe Grenier

Layla Meijman – Studio Ruba – The Netherlands
“What’s Wrong With Sylvester” directed by Zara Dwinger

Heather Millard – Compass Films – Iceland
“Shitballs” directed by Álfrún Örnólfsdóttir

Marek Novák – Xova Film – Czech Republic
“Dead Mountain” directed by Cristina Groșan

Jani Pösö – It’s Alive Films – Finland
“Memory Lane” directed by Teemu Nikki

Vanya Rainova – Portokal – Bulgaria
“MXIV” directed by Yordan Petkov

Alba Sotorra – AlbaSotorra SL – Spain
“To Live in a Shout” directed by Diana Toucedo

ACE Producers has selected 18 experienced independent producers to participate in the 34th edition of its ACE Annual Programme. The selected producers from 16 different territories will attend three workshops throughout 2024 and 2025, moving the projects with which they applied forward. After completing the programme, these producers will join the established ACE Network.

The selection committee consisted of members of the ACE Board and Network, ACE president Marleen Slot and director and head of studies Jacobine van der Vloed.

“We are excited about this new group of producers, from sixteen different countries and from very different backgrounds, joining the ACE Network. With each of these experienced independent producers and their individual expertise and know-how, the ACE Network will grow stronger, providing a solid basis for successful European co-productions.”, Jacobine van der Vloed commented.

Four events make up the core of the training. The first workshop takes place in Leiden, The Netherlands in early October, with the support of the Netherlands Film Fund. This workshop is dedicated to content development and includes group sessions and individual meetings, analysing the concepts, dramaturgy, and target audiences of producers’ projects.

In November, the second workshop, offering the producers advice on possible financing strategies for their projects, will take place in Warsaw, Poland, with the support of the Polish Film Institute and in collaboration with Independent Film Foundation. The week-long workshop consists of interactive sessions exploring international financing opportunities and strategies through detailed analysis of the producers’ finance plans, with input provided by high-grade professionals from across the industry. The sessions offer a uniquely open exchange of experience and ideas which sheds light on the evolution of co-production practices, of public and private funding schemes, and of the global marketplace in the digital age.

The third workshop looks at the producers’ business strategies, providing them with models of sustainable company management and ways to build businesses that have real value. Group sessions and panel discussions guide the producers through keener applications of marketing techniques and diversified commercial activities. The Business Prospects Workshop will take place in Süd-Tirol with the support of IDM Süd-Tirol, and is immediately followed by the ACE Annual Reunion, where the new producers will be officially welcomed into the ACE Network.

The Annual Reunion 2025 will be held in Zagreb, Croatia with the support of the HAVC – Croation Audiovisual Centre.

The ACE Annual Programme is supported by Creative Europe MEDIA, Netherlands Film Fund, Polish Film Institute, Procirep, Screen Ireland, German Films, Téléfilm Canada, Roma Lazio Film Commission, HAVC – Croatian Audiovisual Centre, IDM Südtirol, Focal and APA Czech Republic – Audiovisual Producers Association.

ACE Project Spotlight: EDGE OF NIGHT

EDGE OF NIGHT by Türker Süer will premiere at the 81st Venice International Film Festival. Producer Viola Fügen (ACE Germany) participated with the project in the ACE 29 Annual Programme.

Sinan, a young lieutenant in the Turkish army, is asked to hand over his brother Kenan to a military court. Burdened by the tragic death of their father, both brothers embark on a journey through a land marked by political unrest. As they confront their beliefs, Sinan’s convictions are put to the ultimate test on the night of the coup. In a country where the State demands absolute loyalty, the brothers must decide if they are ready to face the sacrifices required by their duty and their conscience.

How did the ACE Annual Programme benefit you as a producer, and your ACE project?
I don’t think this film would have been made without ACE. The initial feedback on the project that I received during my wonderful ACE year was very encouraging. The writer-director Türker Süer and I both really benefited from working with Isabelle Fauvel on the script. We actually started financing the project with the draft of the script written after the ACE Content Development Workshop.

 What was the most challenging in getting this film from script to the screen?
To close the financing: After a really great start, having the honour of working with Andrea Hanke as commissioning editor at WDR and receiving support from the Film and Medienstiftung NRW, we faced some setbacks. COVID delayed us, and we ran out of solutions—until ARTE came on board, and Eurimages finally saved us by closing the financing.

For my wonderful producing partner Nadir Öperli (ACE Turkey), who executed the shooting in Turkey, I’m sure there were a few more challenges along the way. We couldn’t have made this film without Nadir’s profound producing skills and wonderful, supportive personality.

What’s ahead for you and your company? What are you currently working on?
Michael Weber and I are currently very busy with the production side of Match Factory, which we started more than 10 years ago. My colleague Cécile Tollu-Polonowski produced Alissa Jung’s first feature film PATERNAL LEAVE, which we shot together with Wildside at the beginning of the year in Italy, and we’re now preparing Karim Aïnouz’s next project ROSEBUSH PRUNING in Spain. We’re also looking forward to the premiere of EDGE OF NIGHT in both Venice and Toronto soon.

We just had the premiere of HARVEST by Athina Tsangari in Venice and co-produced THE END by Joshua Oppenheimer (Telluride and Toronto). Altogether, we were involved in seven films premiering at Cannes and the fall festivals this year. I wouldn’t mind if next year is a little less intense.

ACE Project Spotlight: The End

THE END by Joshua Oppenheimer will premiere at the 51st Telluride Film Festival. Producer Signe Byrge Sørensen (ACE Denmark) participated with the project in the ACE 27 Annual Programme.

A Golden Age musical about one of the last families on earth, starring Tilda Swinton as MOTHER and Michael Shannon as FATHER. When the sudden arrival of a stranger, Moses Ingram as GIRL, threatens the family’s luxurious compound deep underground, George MacKay as SON begins to question their seemingly perfect existence.

How did the ACE Annual Programme benefit you as a producer, and your ACE project?
The ACE Annual Programme was hugely beneficial both to me personally and to THE END. During the workshop, I got to test the first finance plan and my finance strategies. I found key collaborators and I got inspiring input regarding the first presentations of the project. I also found a network, which has become extremely important to me, because this is where I find new collaborators I can learn from, great case stories during the Annual Reunions, and this is where I found a core group of professionals across Europe, who really understand what challenges we face as producers and how films are made from idea to final DCP.

What was the most challenging in getting this film from script to the screen?
My learning curve has been extreme at times. This is my first fiction film, and it is a musical. Quite a challenge and I could not have made it without my amazing, experienced and committed co-producers Viola Fügen from The Match Factory/Mubi (Germany), Conor Barry from Wild Atlantic (Ireland), Flaminio Zadra from Dorje Films (Italy), Tracy O’Riordan from Moonspun Films (UK) and Ann Lundberg from Anagram (Sweden), nor without my financial consultants Sarah Nagel and Isabell Wiegand from In Between Films. Most of them are part of ACE. The most challenging for me has been the time pressure and the economic pressure. I have been co-producing documentaries around the world for more than 20 years, so I am used to complex finance plans with many partners, and also to some pretty wild stuff happening as part of my working day, but the challenge of working with agents, lawyers and banks on a high-level budget, that required a cash flow loan was a whole new experience for me.

What’s ahead for you and your company? What are you currently working on?
We finished the DCP last week. We are still in the middle of preparing the release. Once that is done, I plan to sleep. Luckily, I have a strong production team at Final Cut for Real in Denmark consisting of producers Maria Kristensen, Esther Nissen and Alberte Lyngbo and post producer Francesc Sitges-Sardá plus my company partners Anne Köhncke, Janus Billeskov Jansen and Joshua Oppenheimer. So in parallel with the postproduction of THE END, we have started to develop several new documentaries together with for example veteran documentary directors Camilla Nielsson (PRESIDENT), Simon Lereng Wilmont (A HOUSE MADE OF SPLINTERS) and some documentary talents. And then Joshua Oppenheimer, the director of THE END, and I have started talking about new ideas, but it is still far too early to say anything about what that could lead to.

SELECTED PRODUCERS ANNOUNCED FOR 6TH SERIES SPECIAL

Eighteen international producers will join ACE for the sixth edition of the ACE Series Special, taking place in Madrid, Spain this coming November.

The week-long workshop offers producers the opportunity to expand their understanding of the series production landscape and internationalise their network within the industry. Professionals from companies such as Fremantle and Banijay regularly attend as consultants, along with producers and showrunners offering no-holds-barred case studies and discussions.

The ACE Series Special will take place in Madrid thanks to support from Creative Europe MEDIA and the collaboration of ICEX Spain Trade & Investment, as well as on-site support from the Madrid Film Office. The selected 18 participants represent 14 countries and include a number of highly experienced producers venturing into series production for the first time. Each producer will attend the workshop with a series project in the early stages of development which will serve as a vehicle for their learning.

Of the workshop, ACE director Jacobine van der Vloed says “We are delighted to be taking the ACE Series Special to Spain, a country which has been at the forefront of series production in Europe. We’re glad to be able to offer the selected producers a chance to gain further insight into the drama series landscape and to get their projects to where they need to be.”

The workshop will take place from the 4th till the 9th of November 2024 and will include an afternoon open to local Spanish producers.

ACE SERIES SPECIAL 6 PRODUCERS

Peter Badač — Slovakia / Czechia — BFILM
“Velvet Fall”
Writers: Zuzana Dzurindova, Peter Nagy
Director: Michal Blaško

Lamia Chraibi — Morocco / France — La Prod/Moon a Deal films
“Noor”
Showrunner: Mohcine Besri
Co-Writers / Co-Directors: Sofia Alaoui, Mohcine Besri

Jean-Laurent Csinidis — France — Films de Force Majeure
“Mater”
Writer: Laurine Estrade

Mairtín de Barra — Ireland — Tailored Films
“The Collective”
Writer: Glenn Montgomery

Clement Duboin — France — Good Fortune Films
“The Tree”
Showrunner: Akihiro Hata
Writer & director: Akihiro Hata

Harry Flöter — Germany — 2Pilots Filmproduction
“Semis Trail”
Showrunner: Julia Klier
Writer: Julia Klier

Aleksi Hyvärinen – Finland — Don Films
“Doctor’s Oath“
Writer: Mikko Myllylahti
Directors: Mikko Myllylahti, Taneli Mustonen

Anda Ionescu – Romania – Tangaj Production
“Angelmaker”
Showrunners: Cristina Groșan, Anda Ionescu
Writer & director: Cristina Groșan

Rajko Jazbec — Switzerland — Catpics
“The Guard”
Writers: Stéphane Mitchell, Bernardo Pellegrini, Christian Johannes Koch
Director: Christian Johannes Koch

Kathryn Kennedy — Ireland — Kennedy Films
“Nest of Heretics”
Writer: John Morton

Sabina Kodra — Albania — Erafilm         
“The Invisible Successor”
Writers: Dorutina Basha, Robert Budina
Director: Robert Budina

Alejandra Mora — Spain — Quatre Films Audiovisuales
“I Love Spain”
Writer: Begoña Soler

Silvia Panakova — Slovakia — Dayhey
“Murders in the Valleys”
Writer: Martin Jaroš
Director: Braňo Mišík

Roman Paul — Germany — Razor Film
“Afterlives”
Writer: Ian Iqbal Rashid
Based on the novel by Nobel laureate Abdulrazak Gurna

Maja Popović Milojević — Serbia — Sense Production
“Brain Drain”
Showrunner: Matija Dragojevic
Writers: Matija Dragojevic, Ljubica Lukovic

Pavel Strnad — Czechia — Negativ
“The Last Goddess”
Writers: Sára Zeithammerová, Hana Neničková
Director: Damián Vondrášek

Gudrun Edda Thorhannesdottir — Iceland — Snow Drift Films
“Climate”
Writers: Gísli Rafn Ólafsson, Axel Ólafur Thorhannesson

Katya Trichkova — Bulgaria — Contrast Films
“Judgement of Solomon”
Showrunner: Teodora Markova
Writers: Teodora Markova, Nevena Kertova

 

PREVIOUS EDITIONS

Since 2019, when the workshop was devised, over 80 producers have attended the Series Special programme from companies such as Komplizen Film, Lemming Film, Heretic and The Match Factory Productions. Attending consultants have included Christian Vesper (Fremantle), Ed Guiney (Element Pictures), Piv Bernth (Apple Tree Productions), Davide Nardini (Amazon Italy), Alexandre Piel (ARTE), Frank Spotnitz (Big Light Productions), Philipp Kreuzer (maze productions), Reno Antoniades (Lee & Thompson), Mario Gianani (Wildside) and Caroline Benjo (Haut et Court).

 

ACE PRODUCERS

Strengthening independent producers, ACE Producers uses the power of the ACE Network’s collective knowledge to tackle the challenges and seize the opportunities in an everchanging industry.

ACE Producers is Europe’s premier network of successful producers from Europe and beyond. Membership is based on professionalism, mutual trust, collaboration and forward thinking.

Each year, 18 new experienced independent producers are accepted into the ACE Network after completing the ACE Annual Programme of executive education. It consists of three workshops emphasising the key position and unique responsibilities of the producer throughout the whole process of making a film. Producers apply with a film-project in development that is suitable for co-production and aimed at the international market.

With an understanding of the industry’s needs, the ACE Specials are additional workshops focusing on series production, animation production and leadership skills, all for experienced producers, while the ACE Springboard offers emerging producers the chance to benefit from training and mentorship from within the ACE Network.

Founded in 1993, ACE Producers is proud to count more than 280 active producers from more than 52 countries to the ACE Network. ACE producers regularly unite to update their knowledge, share information and initiate collaboration in a safe space at reunions and professional events at all major festivals and markets during the year.