ACE SERIES SPECIAL ANNOUNCES 16 EXPERIENCED PRODUCERS

Sixteen international producers will join ACE for the eighth edition of the ACE Series Special, taking place in Lübeck, Germany this coming November.

The week-long workshop offers producers the opportunity to expand their understanding of the series production landscape and internationalise their network within the industry. Professionals from companies such as Fremantle, and Banijay regularly attend as consultants, along with producers and showrunners offering no-holds-barred case studies and discussions.

The selected 16 participants represent 13 countries and include a number of highly experienced producers venturing into series production for the first time. Producers are able to attend the workshop with a series project in the early stages of development which will serve as a vehicle for their learning.

The workshop will take place in Lübeck, Germany, from the 2nd till the 7th of November 2026 and will in include an afternoon open to local German producers.

The ACE Series Special is supported by the Netherlands Film Fund, MOIN Filmförderung, Medienboard Berlin-Brandenburg and the Pilot Programme for Series Co-Productions of the Council of Europe, home of Eurimages. The workshop is organised in collaboration with Nordische Filmtage Lübeck.

ACE SERIES SPECIAL 8 PRODUCERS

Vasilis Chrysanthopoulos – Greece – Foss Productions

Ingvild Evjemo – Norway – INTHEMOOD FILM

Samm Haillay – United Kingdom – Kirlian Enterprises

Blerina Hankollari – Albania – Artalb Film Productions

Barbara Janišová Feglová – Slovakia – HITCHHIKER Cinema

Maciej Kubicki – Poland – Telemark

André Logie – Belgium – Panache Productions

Susanne Mann – Germany – zischlermann filmproduktion

Stelios Mavrondontis – Greece – Filmiki Productions

Adrià Monès Murlans – Spain – Fasten Films

Jennifer Mueller von der Haegen – Germany – Weydemann Bros.

Ngueyeli Noupueu Evodie – Cameroon – Les Films d‘Ebène

Marek Novák – Czech Republic – Xova Film

Jevgeni Supin – Estonia – Zolba Productions

Paula Taborda dos Guaranys – Spain – Ginga Stories

Gökçe Işıl Tuna – Türkiye – Motiva Films

PREVIOUS EDITIONS

Since 2019, when the workshop was devised, over 100 producers have attended the Series Special programme from companies such as The Match Factory Productions, Lemming Film, Heretic and Komplizen Film. Attending consultants have included Christian Vesper (Fremantle), Ed Guiney (Element Pictures), Piv Bernth (Apple Tree Productions), Davide Nardini (Amazon Italy), Alexandre Piel (ARTE), Frank Spotnitz (Big Light Productions), Philipp Kreuzer (maze productions), Olivia Sleiter (Fremantle), Reno Antoniades (Lee & Thompson), Mario Gianani (Wildside) and Caroline Benjo (Haut et Court).

ABOUT ACE PRODUCERS

ACE Producers (ACE) is Europe’s premier community of independent producers, dedicated to equipping them with the entrepreneurial, collaborative, and adaptive skills needed to thrive in a rapidly evolving industry.

Through high-end executive training, ACE empowers producers to anticipate trends, embrace new partnerships, integrate emerging technologies, and implement modern environmental practices. Each year, 18 experienced producers join ACE after completing the ACE Annual Programme, an intensive series of workshops focusing on leadership, co-production strategies, business strategy, international market readiness, and creative collaboration.

To respond to the industry’s evolving needs, ACE offers additional workshops in series production, animation, and leadership development. These ACE Specials give producers a widened perspective on the audiovisual industry and how to diversify their role within it. The ACE Springboard supports emerging producers through mentorship and training, nurturing the next generation of creative leaders within a dynamic global landscape.

 

Over the past 6 years, 5 films (co-)produced by ACE members have won the Palme d’Or in Cannes: “Fjord” produced by Dyveke Bjørkly Graver (ACE Norway), Andrea Berentsen Ottmar (ACE Norway) and co-produced by Jussi Rantamäki (ACE Finland), “It Was Just an Accident” produced by Philippe Martin and David Thion (Les Films Pelleas), “Anatomy of a Fall” produced by David Thion (Les Films Pelleas), “Triangle of Sadness” produced by Erik Hemmendorff (Plattform Produktion), co-produced by Giorgos Karnavas (Heretic) and Per Damgaard Hansen (Paloma Productions), and “Titane” produced by Jean-Christophe Reymond (Kazak Productions) and co-produced by Jean-Yves Roubin (Versus Production).

In 2026, the Cannes Palme d’Or, Grand Prix and Jury prize all went to films (co-) produced by ACE members, and all five films nominated for the Best International Film Academy Award were (co-)produced by ACE members.

Films by ACE producers on the TIFF line-up

DISCOVERY

ANCESTORS by David Turpin
Produced by David Collins (ACE Ireland)

THE FORTUNATE ISLES by Helena Girón, Samuel Delgado
Co-produced by Vicky Miha (ACE Greece)

PLATFORM

BRACE YOUR HEART by Amanda Kernell
Co-produced by Heather Millard (ACE Iceland)

IDDA by Irene Dionisio
Produced by Giovanni Pompili (ACE Italy)

THE SMELL OF APPLES by John Trengove
Co-produced by Frank Hoeve (ACE The Netherlands)

WILD WILD EAST by Jan Holoubek
Co-produced by Alise Gelze (ACE Latvia)

CENTREPIECE

CONVERSATION WITH THE SEA by Muayad Alayan
Produced by Muayad Alayan (ACE Palestine)

ELEPHANTS IN THE FOG by Abinash Bikram Shah
Co-produced by Paul Zischler (ACE Germany)

EVERYTIME by Sandra Wollner
Produced by Lixi Frank (ACE Austria)

FOUR SEASONS IN JAVA by Kamila Andini
Co-produced by Erik Glijnis (ACE The Netherlands)

MARIE MADELEINE by Géssica Généus
Co-produced by Sylvain Corbeil (ACE Canada)

THE BETRAYERS by David Bezmozgis
Produced by Volodymyr Yatsenko (ACE Ukraine)

THE DREAMED ADVENTURE by Valeska Grisebach
Produced by Jonas Dornbach (ACE Germany), Janine Jackowski (ACE Germany)

THE LOST CHILDREN OF TUAM by Frank Berry
Produced by Ed Guiney (ACE Ireland)

WOMAN UNKNOWN by May el-Toukhy
Co-produced by Esko Rips (ACE Estonia)

GALA PRESENTATIONS

A TALENT FOR MURDER by Anton Corbijn
Executive Produced by Marco Alessi (ACE Italy)

WAVELENGTHS

DOUBLE FREEDOM by Lisandro Alonso
Produced by Viola Fügen (ACE Germany)
Co-produced by Gilles Chanial (ACE Luxembourg)

LONDON by Sebastian Brameshuber
Produced by Lixi Frank (ACE Austria)

MY WIFE CRIES by Angela Schanelec
Produced by Kirill Krasovski (ACE Germany)

SPECIAL PRESENTATIONS

ALL OF A SUDDEN by Ryûsuke Hamaguchi
Produced by Bettina Brokemper (ACE Germany)

COWARD by Lukas Dhont
Co-produced by Laurette Schillings (ACE The Netherlands), Frans van Gestel (ACE The Netherlands), Jacques-Henri Bronckart (ACE Belgium)

FJORD by Cristian Mungiu
Produced by Dyveke Bjørkly Graver (ACE Norway), Andrea Berentsen Ottmar (ACE Norway)
Co-produced by Jussi Rantamäki (ACE Finland)

GENTLE MONSTER by Marie Kreutzer
Co-produced by Jonas Dornbach (ACE Germany), Janine Jackowski (ACE Germany), Jean-Christophe Reymond (ACE France), Marie Kjellson (ACE Sweden)

LE FAUX SOIR by Michaël R. Roskam
Produced by Jean-Yves Roubin (ACE Belgium)

MINOTAUR by Andrey Zvyagintsev
Co-produced by Roman Paul (ACE Germany)

THE UNKNOWN by Arthur Harari
Co-produced by Andrea Paris (ACE Italy)

Sarajevo 2026 titles by ACE producers

COMPETITION – NARRATIVE FEATURE FILM

EVERYTHING THAT’S WRONG WITH YOU by Urša Menart
Co-produced by Alexander Wadouh (ACE Germany)

EVERYTIME by Sandra Wollner
Co-produced by Lixi Frank (ACE Austria)

SHAME AND MONEY by Visar Morina
Co-produced by Marija Dimitrova (ACE North Macedonia)

SMALL THINGS Zvonimir Jurić
Produced by Ankica Jurić Tilić (ACE Croatia)

COMPETITION – DOCUMENTARY FEATURE FILM

BEAR WITH ME by Martin Genovski
Produced by Martichka Bozhilova (ACE Bulgaria)

ELECTING MS SANTA by Raisa Răzmeriță
Co-produced by Anamaria Antoci (ACE Romania), Anda Ionescu (ACE Romania)

THE FORBIDDEN AUNT by Bojana Novaković
Produced by Milan Stojanovic (ACE Serbia)

ACE Producers’ Films in Venice 2026

COMPETITION

L’ESTRANEA by Paolo Strippoli
Co-produced by Jean-Christophe Reymond (ACE France)

THE ECHO CHAMBER by Andrea Pallaoro
Co-produced by Jacques-Henri Bronckart (ACE Belgium)

WOMAN UNKNOWN by May el-Toukhy
Co-produced by Esko Rips (ACE Estonia)

VENICE OPEN OUT OF COMPETITION – FICTION

NESSUN DOLORE by Gianni Amelio
Produced by Simone Gattoni (ACE Italy)

NO PARADISE IF YOU ARE KILLED BY A WOMAN by Halkawt Mustafa
Produced by Janne Hjeltnes (ACE Norway)

PLACE TO BE by Kornél Mundruczó
Executive produced by Viktoria Petranyi (ACE Hungary)

VENICE OPEN OUT OF COMPETITION – NON-FICTION

HOLY WOOD DUST by Victor Kossakovsky
Produced by Emanuele Nespaca (ACE Italy)
Co-produced by Alba Sotorra (ACE Spain)
Executive produced by Tommaso Arrighi (ACE Italy)

IMPERIUM by Sergei Loznitsa
Co-produced by Giovanni Pompili (ACE Italy)

VENICE OPEN OUT OF COMPETITION – SERIES

PECCATO by Valerio Vestoso
Executive produced by Tommaso Arrighi (ACE Italy)

VENICE OPEN OUT OF COMPETITION – FILM ON FILMS

NINO – UN FILM SU NINO ROTA by Walter Fasano
Executive produced by Tommaso Arrighi (ACE Italy)

ORIZZONTI – FEATURES

A DAY IN THE LIFE OF JO: CHAPTER PHAEDRA by Jacqueline Lentzou
Produced by Ioanna Bolomyti (ACE Greece)

LA MAISON DU VENT by Auguste Bernard Kouemo Yanghu
Produced by John Engel (ACE Belgium)

THE GIRL WITH THE LEICA by Alina Marazzi
Co-produced by Jonas Dornbach (ACE Germany), Janine Jackowski (ACE Germany)

UNTIL THE DAY ENDS by Jelena Maksimovic
Co-produced by Miha Černec (ACE Slovenia), Nicolay Mutafchief (ACE Bulgaria)

WHAT BELONGS TO OTHERS by Grzegorz Debowski
Co-produced by Agnieszka Dziedzic (ACE Poland)

ORIZZONTI – SHORTS

SILENCE by Pavlo Shpegun
Produced by Volodymyr Yatsenko

TROPIC OF THE MOURNING GECKO by Stavros Markoulakis
Produced by Ioanna Bolomyti (ACE Greece)

VENICE SPOTLIGHT

CONVERSATION WITH THE SEA by Muayad Alayan
Produced by Muayad Alayan (ACE Palestine)

I MATTER by Alina Serban
Produced by Ada Solomon (ACE Romania), Carla Fotea (ACE Romania)
Co-produced by Dries Phlypo (ACE Belgium)

VENICE CRITICS WEEK

OUR SHARE OF SAND by Shalini Adnani
Co-produced by Giorgos Karnavas (ACE Greece)

GIORNATE DEGLI AUTORI – COMPETITION

BALCANICA by Nicola Sorcinelli
Co-produced by Snezana van Houwelingen (ACE Serbia)

MY NOTES ON MARS by Lili Horvát
Co-produced by Janine Jackowski (ACE Germany), Jonas Dornbach (ACE Germany)

GIORNATE DEGLI AUTORI – SPECIAL EVENTS

AL BARANEYA by Ashgan El-Hamus
Produced by Frank Hoeve (ACE The Netherlands)
Co-produced by Eurydice Gysel (ACE Belgium)

EVEN IF HELL CAME by Samuele Rossi
Co-produced by Emanuele Nespeca (ACE Italy)

VENICE IMMERSIVE

HONEYBOYS by Tibor de Jong
Produced by Danielle Guirguis (ACE The Netherlands)
Co-produced by Emmy Oost (ACE Belgium)

Films by ACE Members going to Locarno 2026

PIAZZA GRANDE

ALL ABOUT CORINNE by Marc Fitoussi
Produced by Caroline Bonmarchand (ACE France)

THE CHILEAN by Sergio Castro-San Martín
Produced by Alessandro Amato (ACE Italy)

THE GREEN EYES by Fanny Liatard, Jérémy Trouilh
Produced by Julie Billy (ACE France), Carole Scotta (ACE France)
Opening Film Locarno 2026

CONCORSO INTERNAZIONALE

BRAVE NEW LOVE by Maria Bäck
Produced by Anna-Maria Kantarius (ACE Sweden)

DONKEY PRINCESS by Cristóbal León, Joaquín Cociña
Co-produced by Marleen Slot (ACE The Netherlands)

OBJET A by Ann Oren
Co-produced by Vicky Miha (ACE Greece)

THE HOUSE ON THE MOON by Nelson Yeo
Produced by Si En Tan (ACE Singapore)
Co-produced by Jakob Weydemann (ACE Germany)

CONCORSO CINEASTI DEL PRESENTE

DEMONS by Natalka Vorozhbyt
Co-produced by Dariusz Jabłoński (ACE Poland)

THE DAYS OFF by Lucila Mariani
Co-produced by Tathiani Sacilotto (ACE Portugal)

FUORI CONCORSO

BLOODY TENNIS by Nikias Chryssos
Co-produced by Jan Krüger (ACE Germany)

ROMA ELASTICA by Bertrand Mandico
Produced by Marco Alessi (ACE Italy)

PANORAMA SUISSE

TRISTAN FOREVER by Tobias Nölle & Loran Bonnardot
Produced by Christof Neracher (ACE Switzerland)

LOCARNO KIDS

FOREVER WITH YOU by Fabrizio Cattani
Produced by Emanuele Nespeca (ACE Italy)

SECRET DELIVERY by Ján Sebechlebský
Produced by Silvia Panáková (ACE Slovakia)

Films by ACE members in the KVIFF 2026 line-up

Crystal Globe Competition

3 WEEKS AFTER by Miroslav Terzić
Produced by Snežana van Houwelingen (ACE Serbia)
Co-produced by Ankica Juric Tilic (ACE Croatia)

CHICA CHECA by Šimon Holý
Co-produced by Silvia Panakova (ACE Slovakia)

THE LION AT MY BACK by Tonia Mishiali
Associate produced by Antoine Simkine (ACE France)

ONLY BEAUTIFUL THINGS TO LOOK AT by Ivan Ostrochovský
Produced by Pavel Strnad (ACE Czech Republic)

Proxima Competition

A WHOLE PERSON ALMOST by Efthimis Kosemund-Sanidis
Produced by Yorgos Tsourgiannis (ACE Greece)
Co-produced by Veselka Kiryakova (ACE Bulgaria), Nina Frese (ACE Germany), Anamaria Antoci (ACE Romania) and Anda Ionescu (ACE Romania)

Horizons

A MAN OF HIS TIME by Emmanuel Marre
Co-produced by David Thion (ACE France), Philippe Martin (ACE France)

A WOMAN’S LIFE by Charline Bourgeois-Tacquet
Produced by David Thion (ACE France)
Co-produced by Jacques-Henri Bronckart (ACE Belgium)

ALL OF A SUDDEN by Ryûsuke Hamaguchi
Produced by Bettina Brokemper (ACE Germany)

BORN IN THE JUNGLE by Edmunds Jansons
Co-produced by Vladimír Lhoták (ACE Czech Republic)

COWARD by Lukas Dhont
Co-roduced by Laurette Schillings (ACE The Netherlands), Frans van Gestel (ACE The Netherlands), Jacques-Henri Bronckart (ACE Belgium)

ELEPHANTS IN THE FOG by Abinash Bikram Shah
Co-produced by Paul Zischler (ACE Germany)

EVERYBODY DIGS BILL EVANS by Grant Gee
Produced by Alan Maher (ACE Ireland), Janine Marmot (ACE United Kingdom)

EVERYTIME by Sandra Wollner
Produced by Lixi Frank (ACE Austria)

FATHERLAND by Pawel Pawlikowski
Produced by Mario Gianani (ACE Italy)

FJORD by Cristian Mungiu
Produced by Dyveke Bjørkly Graver (ACE Norway), Andrea Berentsen Ottmar (ACE Norway)
Co-produced by Jussi Rantamäki (ACE Finland)

FOREST HIGH by Manon Coubia
Co-produced by Charlotte Vincent (ACE France)

FOREVER YOUR MATERNAL ANIMAL by Valentina Maurel
Co-produced by Nicolás Celis (ACE Mexico)

GENTLE MONSTER by Marie Kreutzer
Co-produced by Jonas Dornbach (ACE Germany), Janine Jackowski (ACE Germany), Jean-Christophe Reymond (ACE France), Marie Kjellson (ACE Sweden)

HOW TO DIVORCE DURING THE WAR by Andrius Blazevicius
Produced by Marija Razgute (ACE Lithuania)
Co-produced by Jessie Fisk (ACE Ireland), Vratislav Slajer (ACE Czech Republic)

NUESTRA TIERRA by Lucrecia Martel
Co-produced by Claire Gadéa (ACE France), Leontine Petit (ACE The Netherlands) and Erik Glijnis (ACE The Netherlands)

ROSE by Markus Schleinzer
Produced by Johannes Schubert (ACE Austria), Karsten Stöter (ACE Germany)

SHAME AND MONEY by Visar Morina
Co-produced by Marija Dimitrova (ACE North Macedonia)

THE DREAMED ADVENTURE by Valeska Grisebach
Produced by Jonas Dornbach (ACE Germany), Janine Jackowski (ACE Germany)

THE HOLY BOY by Paolo Strippoli
Co-produced by Miha Černec (ACE Slovenia)

THE STATION by Sara Ishaq
Co-produced by Koji Nelissen (ACE The Netherlands), Derk-Jan Warrink (ACE The Netherlands)

THE UNKNOWN by Arthur Harari
Co-produced by Andrea Paris (ACE Italy)

YELLOW LETTERS by İlker Çatak
Co-produced by Nadir Öperli (ACE Turkey), Carole Scotta (ACE France)

Special Screenings

A REPORT FOR MINERVA 2 by Miroslav Krobot & Lubomír Smékal
Produced by Ondřej Zima (ACE Czech Republic)

BÁRA – DIARY OF A ROCKSTAR by Helena Třeštíková
Produced by Pavel Strnad (ACE Czech Republic)

GREGORIUS, THE CHOSEN ONE by Tomasz Mielnik
Co-produced by Radu Stancu (ACE Romania)

MORTEN by Ivan Pavljutskov
Produced by Anneli Ahven (ACE Estonia)

Call for Applications – ACE Training Days France 2026

ACE Producers is pleased to announce the Call for Applications for the Training Days France 2026 which has been set up thanks to the support by the Contrat Triennal Strasbourg Capitale Européenne 2024-2026.

The ACE Training Days France is a tailor-made 3-day programme designed for emerging producers at relatively early stages in their careers, who are looking to expand their network and learn more about the international context of the audiovisual industry. The hands-on workshop welcomes producers working in fiction, animation, and documentary, and strives to make the industry more inclusive, diverse, and collaborative.

For this workshop, a total of 12 producers will be selected to join the workshop taking place in Strasbourg, France.

The Training Days France will be themed around “The Fundamentals of European Co-production in Feature Fiction”. This interactive workshop will include plenary sessions, case studies, networking opportunities and group meetings provided with the help of ACE consultants and producers who have notably strong track-records in international financing, co-production, negotiation, sales, and distribution.

As part of the Training Days programme, the selected producers are also invited to attend one Financing Plan Session (on either 19 or 20 November) as an observer. These Finance Plan Sessions are part of the ACE 36 Financing Strategies Workshop (16 – 21 November, Strasbourg), which is a workshop within the ACE Annual Programme organised for the selected 18 experienced producers from Europe and beyond.

WORKSHOP DATES
17 – 19 November 2026
Please note that additionally the Finance Plan Sessions are taking place 19 & 20 November. Spots will be assigned in advance to avoid scheduling conflicts.

LOCATION
Strasbourg, France

ELIGIBILITY CONDITIONS

  • Emerging producers from the Grand Est region, with an interest in the international market and co-production (line production is not the focus of this programme).
  • Applicants should have at least one producer credit (short film, feature film, documentary, series, etc.) or be able to justify significant production experience in another production company.
  • Producers are encouraged to bring a feature-length project currently in development to best benefit from the workshop.
  • Producers would need to be committed to attend the entire workshop (including the Finance Plan Sessions).
  • As the workshop will be in English, a good working level of English is required.

FEES

  • Participation is free of charge, but we do ask full commitment.
  • ACE Producers covers the lunches and dinner mentioned in the programme.
  • All travel & accommodation expenses that arise will NOT be covered by the organisation.

APPLICATION DEADLINE
1 September 2026 at 23:59 CEST

HOW TO APPLY
Please submit your application here
In the application, you need to provide the following documents in English:

  • Motivation letter (max 3.000 characters);
  • Company profile;
  • Producer’s biography & filmography (max 1.500 characters);
  • List of current projects in development (max 1.500 characters).

FOR MORE INFORMATION
Contact us at ace@ace-producers.com

VACATURE: MEDEWERKER FINANCE & OPERATIONS

24 uur per week | Amsterdam / hybride

Wil jij werken in een internationale omgeving waar film, ondernemerschap en Europese samenwerking samenkomen? Ben je nauwkeurig, georganiseerd, en voel je je thuis in een rol waarin je zowel financiële als operationele processen ondersteunt?

ACE Producers zoekt een Medewerker Finance & Operations die ervoor zorgt dat onze organisatie achter de schermen soepel draait. In deze veelzijdige functie ben je een belangrijke spil binnen ons team en draag je bij aan de succesvolle uitvoering van onze internationale trainingsprogramma’s en evenementen voor filmproducenten uit heel Europa.

Over ACE Producers

ACE Producers is een toonaangevend Europees netwerk voor onafhankelijke filmproducenten. Via onze trainingsprogramma’s, workshops en evenementen brengen wij producenten uit heel Europa en daarbuiten samen. Veel ACE-alumni behoren tot de meest succesvolle onafhankelijke producenten van Europa en zijn betrokken bij internationaal bekroonde films die wereldwijd publiek bereiken.

De functie

Als Medewerker Finance & Operations ondersteun je bij subsidieaanvragen en rapportages, zorg je ervoor dat onze financiële en contractuele administratie in orde zijn, en dat organisatorische processen soepel verlopen.  Je bent een belangrijke schakel tussen deelnemers, partners, leveranciers en externe dienstverleners. Je werkt nauw samen met de directeur en externe partijen.

Wat ga je doen?

Finance

  • Opstellen, controle, versturen en verwerking van facturen;
  • Beheren van debiteuren- en crediteurenadministratie;
  • Voorbereiden van betalingen;
  • Ondersteunen bij financiële rapportages, budgetbewaking en jaarafsluitingen;
  • Ondersteunen bij subsidieadministratie en financiële verantwoordingen;
  • Contact onderhouden met externe boekhoudkundige en financiële adviseurs.

Contracten & administratie

  • Opstellen, verwerken en archiveren van (partnership) voorstellen en contracten;
  • Bewaken van administratieve verplichtingen en deadlines;
  • Verzamelen van informatie voor rapportages, evaluaties en subsidieaanvragen;
  • Bijhouden van de CRM- en relatiedatabases.

Operations

  • Organiseren van (bestuurs)vergaderingen en interne bijeenkomsten en het (mede) opstellen van bijbehorende documenten en verslagen;
  • Verzorgen van algemene office management taken;
  • Beheren van personeelsadministratie en verlofregistratie;
  • Contact onderhouden met externe dienstverleners.

Wie zoeken wij?

Wij zoeken een proactieve collega die energie krijgt van overzicht aanbrengen in financien, administratie en organisatie, binnen een dynamische internationale werkomgeving. Je werkt graag gestructureerd, houdt overzicht en vindt het leuk om verschillende werkzaamheden te combineren.

Daarnaast breng je mee:

  • Mbo+ of hbo werk- en denkniveau;
  • Ervaring met financiële administratie;
  • Je bent nauwkeurig, zelfstandig en brengt graag structuur aan;
  • Goede communicatieve vaardigheden;
  • Uitstekende beheersing van Nederlands en Engels, zowel mondeling als schriftelijk;
  • Ervaring met subsidieaanvragen en partnerships binnen de culturele, audiovisuele of non-profitsector is een pré.

Wat bieden wij?

  • Een afwisselende functie binnen een internationaal gerenommeerde organisatie in de filmsector;
  • Informeel samenwerken binnen een klein, professioneel en betrokken team;
  • Ruimte voor eigen initiatief en verantwoordelijkheid;
  • Een hybride werkomgeving en een fijne werkplek in Amsterdam;
  • Marktconforme arbeidsvoorwaarden passend bij ervaring en achtergrond.

Interesse?

Stuur je motivatie en cv naar jobs@ace-producers.com voor 5 juli. Gesprekken zullen plaatsvinden in de week van 13 juli.

We kijken uit naar je sollicitatie, ongeacht je leeftijd, gender, culturele- en religieuze achtergrond, of van wie je houdt. Heb je redelijke aanpassingen nodig om het sollicitatieproces te doorlopen, voldoe je niet helemaal aan het profiel maar denk je toch een goede match te zijn, of heb je nog vragen over de functie? Neem dan gerust contact op voor meer informatie.

Startdatum: zo snel mogelijk in overleg

Contract: tijdelijk contract voor 1 jaar met mogelijkheid tot verlenging. Parttime (24 uur per week flexibel in te delen) in loondienst.

Salaris: inschaling in schaal 4 of 5, afhankelijk van ervaring, volgens de salaristabel en functiehandboek van de Fair Pay richtlijnen voor Filmfestivals opgezet door Platform Acct. 8% vakantiegeld en een pensioenregeling.

Awards for films by ACE producers at Cannes 2026

PALME D’OR
FJORD by Cristian Mungiu
Produced by Dyveke Bjørkly Graver (ACE Norway), Andrea Berentsen Ottmar (ACE Norway)
Co-produced by Jussi Rantamäki (ACE Finland)

GRAND PRIX
MINOTAUR by Andrey Zvyagintsev
Co-produced by Roman Paul (ACE Germany)

JURY PRIZE
THE DREAMED ADVENTURE by Valeska Grisebach
Produced by Jonas Dornbach (ACE Germany), Janine Jackowski (ACE Germany)

BEST DIRECTOR
FATHERLAND by Pawel Pawlikowski
Produced by Mario Gianani (ACE Italy)

BEST ACTRESS FOR VIRGINIE EFIRA AND TAO OKAMOTO
ALL OF A SUDDEN by Ryûsuke Hamaguchi
Produced by Bettina Brokemper (ACE Germany)

BEST ACTOR FOR EMMANUEL MACCHIA AND VALENTIN CAMPAGNE
COWARD by Lukas Dhont
Co-produced by Laurette Schillings (ACE The Netherlands), Frans van Gestel (ACE The Netherlands), Jacques-Henri Bronckart (ACE Belgium)

BEST SCREENPLAY FOR EMMANUEL MARRE
A MAN OF HIS TIME by Emmanuel Marre
Co-produced by David Thion (ACE France), Philippe Martin (ACE France)

UN CERTAIN REGARD PRIZE
EVERYTIME by Sandra Wollner
Produced by Lixi Frank (ACE Austria)

UN CERTAIN REGARD JURY PRIZE
ELEPHANTS IN THE FOG by Abinash Bikram Shah
Co-produced by Paul Zischler (ACE Germany)

QUEER PALM
TEENAGE SEX AND DEATH AT CAMP MIASMA by Jane Schoenbrun
Produced by Daniel Bekerman (ACE Canada)

FIPRESCI PRIZE
FJORD by Cristian Mungiu
Produced by Dyveke Bjørkly Graver (ACE Norway), Andrea Berentsen Ottmar (ACE Norway)
Co-produced by Jussi Rantamäki (ACE Finland)

Cinema Needs Europe, Europe Needs Cinema

The petition is still open. Add your name here.

“No art form, like cinema, traverses our diurnal consciousness so directly as to touch our feelings, deep within the twilight chamber of our soul.”

For more than 130 years, this twilight chamber, as Ingmar Bergman called it, was brought to life by the lives of others, by their thoughts, their struggles, their words and their gazes.

Cinema begins with the desire to create. It becomes a film through a succession of encounters: screenwriters, directors and producers develop it, cinematographers, actors, and technical crews contribute, film funds support it, sales agents and distributors bring it to cinemas and festivals – and later broadcasters and streamers, critics debate, and audiences embrace it.

Filmmaking is a collaborative art. It becomes an industry through job creation and technological innovation. Yet every film remains a prototype, impossible to mass-produce on an assembly line. There are no economies of scale in storytelling. This dual nature calls for deliberate political choices engaging public and private operators.

Europe itself, as a collective endeavour, was imagined in stories before it was built, it is Stefan Zweig’s continent of ideas, not armies. Cinema brought this imagined Europe to life: LA DOLCE VITA, WINGS OF DESIRE or AMÉLIE turned Rome, Berlin and Paris into shared cultural references. ANATOMY OF A FALL, SIRAT, or THE NEW YEARS, global successes emerging from European talents, continue to build bridges across languages and borders.

In Europe, the political choice for cinema, be it Czech, Italian, Swedish, Slovenian, Portuguese or Belgian, is the MEDIA programme. Just as the idea of Europe itself is a unique project, the idea of the MEDIA programme is to sustain diverse European voices in a common house.

For over 35 years, it has been supporting the creation of European stories from script development to production by independent production companies, the releases in theatres and online, festivals, professionals’ training and upskilling. It has given a chance to all kinds of European projects, including the most unexpected ones, from East to West and from North to South. Building on the Union and Member Statesʼ regulations, it has also reinforced our industries against global giants, allowing film professionals to face sector upheavals and resist standardization, and fostered a dynamic and job-creating ecosystem.

MEDIA is a drop in the ocean of European funding: it represents 0,2% of the Union’s budget, while, as a comparison, the common agricultural policy alone accounts for 32% of this budget.

Yet, it has been a European success story with an invaluable impact.

Thanks to MEDIA, works that nurtured the growth of Ruben Östlund or Justine Triet travelled the world.

Thanks to MEDIA, Europe wins an Oscar almost every year: after FLOW, Gints Zilbalodis’s animated film, Joachim Trierʼs SENTIMENTAL VALUE and the documentary MR NOBODY AGAINST PUTIN by David Borenstein and Pavel Talankin took the spotlight in 2026.

Thanks to MEDIA, the voices of exiled and oppressed authors, such as Jafar Panahi or Mohammad Rasoulof, have the freedom to reach audiences worldwide.

Thanks to MEDIA, our cherished neighbourhood cinemas can remain open to the world through diverse programming, and do not have to close their doors.

Without MEDIA, we would all be a little less European.

Greek filmmaker Costa-Gavras once said, “you cannot change people’s political vision with a film, but you can, at the very least, kindle a political discussion”. In times marked by war, geopolitical tensions, and pressure on democracy – our foremost common good – this function is essential. We strive to give our societies, our children and future adults a taste for collective experience, empathy, and resistance.

Yet Europe’s ability to tell its own stories is under strain. Most audiovisual productions viewed in Europe originate outside the continent. Global platforms increasingly shape visibility, access and stories. At the same time, the sector faces structural transformations: shifting audience habits, including declining cinema attendance, the rise of artificial intelligence, and growing geopolitical competition.

The European Union is currently revising the rules that enable European cinema to flourish, to travel, and to carry our common voice. It includes the future of MEDIA in the new AGORA EU programme.

It is now the time to write the next chapter of the European Cinema story, with even greater ambition, commensurate with the challenges we face. We must not fail to see that the destiny of democracy and that of cinema, both born in Europe, are intimately linked. Because every time a cinema opens, democratic life reasserts itself.

We, European cinema professionals and citizens – all cinema lovers – call upon the European Commission, European Parliament and Member States to future-proof the success and integrity of the vital and precious MEDIA programme and reinforce its resources. There are no shared values, no democracy, and no European soft power, without artistic creation.