ACE Project Spotlight: EDGE OF NIGHT

EDGE OF NIGHT by Türker Süer will premiere at the 81st Venice International Film Festival. Producer Viola Fügen (ACE Germany) participated with the project in the ACE 29 Annual Programme.

Sinan, a young lieutenant in the Turkish army, is asked to hand over his brother Kenan to a military court. Burdened by the tragic death of their father, both brothers embark on a journey through a land marked by political unrest. As they confront their beliefs, Sinan’s convictions are put to the ultimate test on the night of the coup. In a country where the State demands absolute loyalty, the brothers must decide if they are ready to face the sacrifices required by their duty and their conscience.

How did the ACE Annual Programme benefit you as a producer, and your ACE project?
I don’t think this film would have been made without ACE. The initial feedback on the project that I received during my wonderful ACE year was very encouraging. The writer-director Türker Süer and I both really benefited from working with Isabelle Fauvel on the script. We actually started financing the project with the draft of the script written after the ACE Content Development Workshop.

 What was the most challenging in getting this film from script to the screen?
To close the financing: After a really great start, having the honour of working with Andrea Hanke as commissioning editor at WDR and receiving support from the Film and Medienstiftung NRW, we faced some setbacks. COVID delayed us, and we ran out of solutions—until ARTE came on board, and Eurimages finally saved us by closing the financing.

For my wonderful producing partner Nadir Öperli (ACE Turkey), who executed the shooting in Turkey, I’m sure there were a few more challenges along the way. We couldn’t have made this film without Nadir’s profound producing skills and wonderful, supportive personality.

What’s ahead for you and your company? What are you currently working on?
Michael Weber and I are currently very busy with the production side of Match Factory, which we started more than 10 years ago. My colleague Cécile Tollu-Polonowski produced Alissa Jung’s first feature film PATERNAL LEAVE, which we shot together with Wildside at the beginning of the year in Italy, and we’re now preparing Karim Aïnouz’s next project ROSEBUSH PRUNING in Spain. We’re also looking forward to the premiere of EDGE OF NIGHT in both Venice and Toronto soon.

We just had the premiere of HARVEST by Athina Tsangari in Venice and co-produced THE END by Joshua Oppenheimer (Telluride and Toronto). Altogether, we were involved in seven films premiering at Cannes and the fall festivals this year. I wouldn’t mind if next year is a little less intense.

ACE Project Spotlight: The End

THE END by Joshua Oppenheimer will premiere at the 51st Telluride Film Festival. Producer Signe Byrge Sørensen (ACE Denmark) participated with the project in the ACE 27 Annual Programme.

A Golden Age musical about one of the last families on earth, starring Tilda Swinton as MOTHER and Michael Shannon as FATHER. When the sudden arrival of a stranger, Moses Ingram as GIRL, threatens the family’s luxurious compound deep underground, George MacKay as SON begins to question their seemingly perfect existence.

How did the ACE Annual Programme benefit you as a producer, and your ACE project?
The ACE Annual Programme was hugely beneficial both to me personally and to THE END. During the workshop, I got to test the first finance plan and my finance strategies. I found key collaborators and I got inspiring input regarding the first presentations of the project. I also found a network, which has become extremely important to me, because this is where I find new collaborators I can learn from, great case stories during the Annual Reunions, and this is where I found a core group of professionals across Europe, who really understand what challenges we face as producers and how films are made from idea to final DCP.

What was the most challenging in getting this film from script to the screen?
My learning curve has been extreme at times. This is my first fiction film, and it is a musical. Quite a challenge and I could not have made it without my amazing, experienced and committed co-producers Viola Fügen from The Match Factory/Mubi (Germany), Conor Barry from Wild Atlantic (Ireland), Flaminio Zadra from Dorje Films (Italy), Tracy O’Riordan from Moonspun Films (UK) and Ann Lundberg from Anagram (Sweden), nor without my financial consultants Sarah Nagel and Isabell Wiegand from In Between Films. Most of them are part of ACE. The most challenging for me has been the time pressure and the economic pressure. I have been co-producing documentaries around the world for more than 20 years, so I am used to complex finance plans with many partners, and also to some pretty wild stuff happening as part of my working day, but the challenge of working with agents, lawyers and banks on a high-level budget, that required a cash flow loan was a whole new experience for me.

What’s ahead for you and your company? What are you currently working on?
We finished the DCP last week. We are still in the middle of preparing the release. Once that is done, I plan to sleep. Luckily, I have a strong production team at Final Cut for Real in Denmark consisting of producers Maria Kristensen, Esther Nissen and Alberte Lyngbo and post producer Francesc Sitges-Sardá plus my company partners Anne Köhncke, Janus Billeskov Jansen and Joshua Oppenheimer. So in parallel with the postproduction of THE END, we have started to develop several new documentaries together with for example veteran documentary directors Camilla Nielsson (PRESIDENT), Simon Lereng Wilmont (A HOUSE MADE OF SPLINTERS) and some documentary talents. And then Joshua Oppenheimer, the director of THE END, and I have started talking about new ideas, but it is still far too early to say anything about what that could lead to.

SELECTED PRODUCERS ANNOUNCED FOR 6TH SERIES SPECIAL

Eighteen international producers will join ACE for the sixth edition of the ACE Series Special, taking place in Madrid, Spain this coming November.

The week-long workshop offers producers the opportunity to expand their understanding of the series production landscape and internationalise their network within the industry. Professionals from companies such as Fremantle and Banijay regularly attend as consultants, along with producers and showrunners offering no-holds-barred case studies and discussions.

The ACE Series Special will take place in Madrid thanks to support from Creative Europe MEDIA and the collaboration of ICEX Spain Trade & Investment, as well as on-site support from the Madrid Film Office. The selected 18 participants represent 14 countries and include a number of highly experienced producers venturing into series production for the first time. Each producer will attend the workshop with a series project in the early stages of development which will serve as a vehicle for their learning.

Of the workshop, ACE director Jacobine van der Vloed says “We are delighted to be taking the ACE Series Special to Spain, a country which has been at the forefront of series production in Europe. We’re glad to be able to offer the selected producers a chance to gain further insight into the drama series landscape and to get their projects to where they need to be.”

The workshop will take place from the 4th till the 9th of November 2024 and will include an afternoon open to local Spanish producers.

ACE SERIES SPECIAL 6 PRODUCERS

Peter Badač — Slovakia / Czechia — BFILM
“Velvet Fall”
Writers: Zuzana Dzurindova, Peter Nagy
Director: Michal Blaško

Lamia Chraibi — Morocco / France — La Prod/Moon a Deal films
“Noor”
Showrunner: Mohcine Besri
Co-Writers / Co-Directors: Sofia Alaoui, Mohcine Besri

Jean-Laurent Csinidis — France — Films de Force Majeure
“Mater”
Writer: Laurine Estrade

Mairtín de Barra — Ireland — Tailored Films
“The Collective”
Writer: Glenn Montgomery

Clement Duboin — France — Good Fortune Films
“The Tree”
Showrunner: Akihiro Hata
Writer & director: Akihiro Hata

Harry Flöter — Germany — 2Pilots Filmproduction
“Semis Trail”
Showrunner: Julia Klier
Writer: Julia Klier

Aleksi Hyvärinen – Finland — Don Films
“Doctor’s Oath“
Writer: Mikko Myllylahti
Directors: Mikko Myllylahti, Taneli Mustonen

Anda Ionescu – Romania – Tangaj Production
“Angelmaker”
Showrunners: Cristina Groșan, Anda Ionescu
Writer & director: Cristina Groșan

Rajko Jazbec — Switzerland — Catpics
“The Guard”
Writers: Stéphane Mitchell, Bernardo Pellegrini, Christian Johannes Koch
Director: Christian Johannes Koch

Kathryn Kennedy — Ireland — Kennedy Films
“Nest of Heretics”
Writer: John Morton

Sabina Kodra — Albania — Erafilm         
“The Invisible Successor”
Writers: Dorutina Basha, Robert Budina
Director: Robert Budina

Alejandra Mora — Spain — Quatre Films Audiovisuales
“I Love Spain”
Writer: Begoña Soler

Silvia Panakova — Slovakia — Dayhey
“Murders in the Valleys”
Writer: Martin Jaroš
Director: Braňo Mišík

Roman Paul — Germany — Razor Film
“Afterlives”
Writer: Ian Iqbal Rashid
Based on the novel by Nobel laureate Abdulrazak Gurna

Maja Popović Milojević — Serbia — Sense Production
“Brain Drain”
Showrunner: Matija Dragojevic
Writers: Matija Dragojevic, Ljubica Lukovic

Pavel Strnad — Czechia — Negativ
“The Last Goddess”
Writers: Sára Zeithammerová, Hana Neničková
Director: Damián Vondrášek

Gudrun Edda Thorhannesdottir — Iceland — Snow Drift Films
“Climate”
Writers: Gísli Rafn Ólafsson, Axel Ólafur Thorhannesson

Katya Trichkova — Bulgaria — Contrast Films
“Judgement of Solomon”
Showrunner: Teodora Markova
Writers: Teodora Markova, Nevena Kertova

 

PREVIOUS EDITIONS

Since 2019, when the workshop was devised, over 80 producers have attended the Series Special programme from companies such as Komplizen Film, Lemming Film, Heretic and The Match Factory Productions. Attending consultants have included Christian Vesper (Fremantle), Ed Guiney (Element Pictures), Piv Bernth (Apple Tree Productions), Davide Nardini (Amazon Italy), Alexandre Piel (ARTE), Frank Spotnitz (Big Light Productions), Philipp Kreuzer (maze productions), Reno Antoniades (Lee & Thompson), Mario Gianani (Wildside) and Caroline Benjo (Haut et Court).

 

ACE PRODUCERS

Strengthening independent producers, ACE Producers uses the power of the ACE Network’s collective knowledge to tackle the challenges and seize the opportunities in an everchanging industry.

ACE Producers is Europe’s premier network of successful producers from Europe and beyond. Membership is based on professionalism, mutual trust, collaboration and forward thinking.

Each year, 18 new experienced independent producers are accepted into the ACE Network after completing the ACE Annual Programme of executive education. It consists of three workshops emphasising the key position and unique responsibilities of the producer throughout the whole process of making a film. Producers apply with a film-project in development that is suitable for co-production and aimed at the international market.

With an understanding of the industry’s needs, the ACE Specials are additional workshops focusing on series production, animation production and leadership skills, all for experienced producers, while the ACE Springboard offers emerging producers the chance to benefit from training and mentorship from within the ACE Network.

Founded in 1993, ACE Producers is proud to count more than 280 active producers from more than 52 countries to the ACE Network. ACE producers regularly unite to update their knowledge, share information and initiate collaboration in a safe space at reunions and professional events at all major festivals and markets during the year.

TIFF 2024 titles by ACE producers

DISCOVERY

HORIZONTE by César Augusto Acevedo
Co-produced by Titus Kreyenberg (ACE Germany)

MY FATHERS’ DAUGHTER by Egil Pedersen
Produced by Paul Røed (ACE Norway)

THE QUIET ONES by Frederik Louis Hviid
Co-produced by Jean-Christophe Reymond (ACE France)

U ARE THE UNIVERSE by Pavlo Ostrikov
Produced by Vladimir Yatsenko (ACE Ukraine)
Developed during the ACE 30 Annual Programme

GALA PRESENTATIONS

THE RETURN by Uberto Pasolini
Executive produced by Giorgos Karnavas (ACE Greece)

PLATFORM

MR. K by Tallulah H. Schwab
Produced by Erik Glijnis & Leontine Petit (ACE The Netherlands),
Dries Phlypo (ACE Belgium) and Judy Tossell (ACE Germany)

THEY WILL BE DUST by Carlos Marques-Marcet
Co-produced by Giovanni Pompili (ACE Italy)

SPECIAL PRESENTATIONS

ALL WE IMAGINE AS LIGHT by Payal Kapadia
Co-produced by Frank Hoeve (ACE The Netherlands)
and Gilles Chanial (ACE Luxemburg)

BRING THEM DOWN by Christopher Andrews
Produced by Jean-Yves Roubin (ACE Belgium)

HARVEST by Athina Rachel Tsangari
Produced by Viola Fügen (ACE Germany)

ON BECOMING A GUINEA FOWL by Rungano Nyoni
Produced by Ed Guiney (ACE Ireland)

QUISLING – THE FINAL DAYS by Erik Poppe
Produced by Finn Gjerdrum (ACE Norway)

SHARP CORNER by Jason Buxton
Produced by Marc Tetreault (ACE Canada)

SHEPHERDS by Sophie Deraspe
Produced by Luc Déry (ACE Canada)
Co-produced by Caroline Bonmarchand (ACE France)

THE END by Joshua Oppenheimer
Produced by Signe Byrge Sørensen (ACE Denmark)
Co-produced by Viola Fügen (ACE Germany)
and Conor Barry (ACE Ireland)
Developed during the ACE 27 Annual Programme

THE GIRL WITH THE NEEDLE by Magnus von Horn
Produced by Mariusz Włodarski (ACE Poland)
Co-produced by Madeleine Ekman (ACE Sweden)

CENTREPIECE

A MISSING PART by Guillaume Senez
Produced by Jacques-Henri Bronckart (ACE Belgium)
and David Thion (ACE France)
Co-produced by Bart Van Langendonck (ACE Belgium)

EDGE OF NIGHT by Türker Süer
Produced by Viola Fügen (ACE Germany)
and Nadir Öperli (ACE Turkey)
Developed during the ACE 29 Annual Programme

HAPPY HOLIDAYS by Scandar Copti
Produced by Dorothe Beinemeier (ACE Germany)

SANTOSH by Sandhya Suri
Co-produced by Roman Paul (ACE Germany)
and Carole Scotta (ACE France)

THE SWEDISH TORPEDO by Frida Kempff
Co-produced by Riina Sildos (ACE Estonia)

THE VILLAGE NEXT TO PARADISE by Mo Harawe
Produced by Oliver Neumann (ACE Austria)
Co-produced by Jean-Christophe Rymond (ACE France)

TO A LAND UNKNOWN by Mahdi Fleifel
Co-produced by Maria Drandaki (ACE Greece)

UNIVERSAL LANGUAGE by Matthew Rankin
Produced by Sylvain Corbeil (ACE Canada)

WAVELENGTHS

EXERGUE – ON DOCUMENTA 14 by Dimitris Athiridis
Co-produced by Yorgos Tsourgiannis (ACE Greece)

GRAND TOUR by Miguel Gomes
Produced by Filipa Reis (ACE Portugal)
Co-produced by Tom Dercourt (ACE France)
Associate produced by Viola Fügen (ACE Germany)

PEPE by Nelson Carlo de los Santos Arias
Co-produced by Mani Mortazavi (ACE France)
and Claudia Steffen (ACE Germany)

PERFUMED WITH MINT by Muhammed Hamdy
Produced by Fares Ladjimi (ACE France)

YOUTH (HARD TIMES) by Wang Bing
Produced by Vincent Wang (ACE France)
Co-produced by Denis Vaslin (ACE The Netherlands)
and Gilles Chanial (ACE Luxemburg)

YOUTH (HOMECOMING) by Wang Bing
Produced by Vincent Wang (ACE France)
Co-produced by Denis Vaslin (ACE The Netherlands)
and Gilles Chanial (ACE Luxemburg)

ACE Producers’ Films in Venice 2024

COMPETITION

CAMPO DI BATTAGLIA by Gianni Amelio
Produced by Simone Gattoni (ACE Italy)

VERMIGLIO by Maura Delpero
Produced by Francesca Andreoli (ACE Italy)

MARIA by Pablo Larraín
Produced by Jonas Dornbach (ACE Germany) and Janine Jackowki (ACE Germany)
Co-produced by Ildiko Kemeny (ACE Hungary)

HARVEST by Athina Rachel Tsangari
Produced by Viola Fügen (ACE Germany)

YOUTH (HOMECOMING) by Wang Bing
Produced by Vincent Wang (ACE France)
Co-produced by Denis Vaslin (ACE The Netherlands) and Gilles Chanial (ACE Luxemburg)

STRANGER EYES by Siew Hua Yeo
Produced by Fran Borgia (ACE Singapore) and Jean-Laurent Csinidis (ACE France)

OUT OF COMPETITION

IL TEMPO CHE CI VUOLE by Francesca Comencini
Produced by Simone Gattini (ACE Italy)

MALDOROR by Fabrice de Welz
Produced by Jean-Yves Roubin (ACE Belgium)

TSWT – THINGS WE SAID TODAY by Andrei Ujică
Produced by Anamaria Antoci (ACE Romania)

ORRIZONTI

QUIET LIFE by Alexandros Avranas
Co-produced by Vicky Miha (ACE Greece) and Riina Sildos (ACE Estonia)

MON INSÉPARABLE by Anne-Sophie Bailly
Produced by David Thion (ACE France)

AÏCHA by Mehdi Barsaoui
Produced by Marc Irmer (ACE France)

HAPPY HOLIDAYS by Scandar Copti
Produced by Dorothe Beinemeier (ACE Germany)

FAMILIA by Francesco Costabile
Produced by Pierpaolo Verga (ACE Italy)

POOJA, SIR by Deepak Rauniyar
Produced by Alan Milligan (ACE Norway)

L’ATTACHEMENT by Carine Tardieu
Produced by Antoine Rein (ACE France)

ORRIZONTI EXTRA

SHAHED (THE WITNESS) by Nader Saeivar
Co-produced by Arash Riahi (ACE Austria)

EDGE OF NIGHT by Türker Süer
Produced by Viola Fügen (ACE Germany) and Nadir Öperli (ACE Turkey)
Developed during the ACE 29 Annual Programme

GIORNATE DEGLI AUTORI

ALPHA by Jan-Willem van Ewijk
Produced by Frank Hoeve (ACE The Netherlands)
Co-produced by Miha Cernec (ACE Slovenia)

SANATORIUM UNDER THE SIGN OF THE HOURGLASS by the Quay Brothers
Co-produced by Viola Fügen (ACE Germany)

BIENNALE COLLEGE CINEMA

HONEYMOON by Zhanna Ozirna
Produced by Dmytro Sukhanov (ACE Ukraine)

ACE Producers’ Films at Locarno 2024

PIAZZA GRANDE

THE FLOOD by Gianluca Jodice
Produced by Andrea Paris (ACE Italy)
Opening Film Locarno 2024

ELECTRIC CHILD by Simon Jaquemet
Co-produced by Titus Kreyenberg (ACE Germany)

SAUVAGES by Claude Barras
Co-produced by Carole Scotta (ACE France)

CONCORSO INTERNAZIONALE

CENT MILLE MILLIARDS by Virgil Vernier
Produced by Jean des Forêts (ACE France)

GREEN LINE by Sylvie Ballyot
Co-produced by Jean-Laurent Csinidis (ACE France)

DEATH WILL COME by Christoph Hochhäusler
Produced by Bettina Brokemper (ACE Germany)

YOUTH (HARD TIMES) by Wang Bing
Produced by Vincent Wang (ACE France)
Co-produced by Denis Vaslin (ACE The Netherlands)
and Gilles Chanial (ACE Luxemburg)

WEIGHTLESS by Sara Fgaier
Co-produced by Marco Alessi (ACE Italy)

TRANSAMAZONIA by Pia Marais
Produced by Sophie Erbs (ACE France), Tom Dercourt (ACE France)
and Claudia Steffen (ACE Germany)

CONCORSO CINEASTI DEL PRESENTE

LESSON LEARNED by Bálint Szimler
Co-produced by Viktória Petrányi (ACE Hungary)
and Ferenc Pusztai (ACE Hungary)

RED PATH by Lotfi Achour
Co-produced by Jacques-Henri Bronckart (ACE Belgium)
and Joanna Szymańska (ACE Poland)

PANORAMA SUISSE

THE FORTUNATE ONES by Jeanne Waltz
Produced by Elena Tatti (ACE Switzerland)

THE LANDSCAPE AND THE FURY by Nicole Vögele
Produced by Aline Schmid (ACE Switzerland)

PARDI DI DOMANI: CONCORSO INTERNAZIONALE

ON THE IMPOSSIBILITY OF AN HOMAGE by Xandra Popescu
Produced by Ada Solomon (ACE Romania)
Co-produced by Jonas Dornbach (ACE Germany)

FUORI CONCORSO

THE PASSION ACCORDING TO BÉATRICE by Fabrice Du Welz
Co-produced by Jean-Yves Roubin (ACE Belgium)

THE LIFE APART by Marco Tullio Giordana
Produced by Simone Gattoni (ACE Italy)
and Bruno Bettati (ACE Chile)

LOCARNO KIDS

BLOCK 5 by Klemen Dvornik
Co-produced by Peter Badač (ACE Slovakia)

Call for Applications – ACE Training Days Poland 2024

ACE Producers and Independent  Film Foundation are pleased to announce the Call for Applications for the Training Days Poland 2024 which has been set up thanks to the support of the Polish Film Institute.

The ACE Training Days Poland is a tailor-made 2-day programme designed for emerging producers at relatively early stages in their careers, who are looking to expand their network and learn more about the international context of the audiovisual industry. The hands-on workshop welcomes producers working in fiction, animation, and documentary, and strives to make the industry more inclusive, diverse, and collaborative.

A total of 12 producers (6 Polish and 6 total from neighbouring countries) will be selected to join the workshop in Warsaw. As ACE aims to encourage international collaboration, the call is open to emerging producers from Poland, as well as Albania, Azerbaijan, Armenia, Belarus, Bosnia Herzegovina, Bulgaria, Croatia, Czech Republic, Estonia, Georgia, Hungary, Kosovo, Latvia, Lithuania, Moldavia, Montenegro, North-Macedonia, Romania, Serbia, Slovakia, Slovenia, and Ukraine.

The Training Days Poland will be themed around “The Essentials of Co-Producing: What’s the Deal with Negotiating”. The interactive workshop will include plenary sessions, case studies and group meetings provided with the help of ACE consultants and producers who have notably strong track-records in international financing, co-production, negotiation, sales, and distribution, and who will share their knowledge and international expertise.

The ACE Training Days Poland is connected to the ACE 34 Financing Strategies Workshop (18  – 23 November, Warsaw), a workshop within the ACE Annual Programme organised for the selected 18 experienced producers from Europe and beyond.

WORKSHOP DATES
20 & 21 November 2024 (the workshop starts at 09:30 in the morning, therefore international participants should arrive on the 19th and depart the 21st after 18:00).

LOCATION
Warsaw, Poland

ELIGIBILITY CONDITIONS

  • Emerging producers with an interest in the international market and co-production (this workshop will not focus on line production).
  • Producers should have at least one credit on a short film.
  • Producers will best benefit from the workshop when already working on a  feature-length project in development.
  • Producers would need to be committed to attend the entire workshop.
  • Producers who were selected for previous editions of the Training Days are eligible to re-apply.

FEES

  • Participation is free of charge, but we do ask full commitment.
  • ACE Producers will cover the subsistence during the workshop.
  • All travel & accommodation expenses that arise will NOT be covered by the organisation. The producers can apply to their local/national fund to support these expenses.

APPLICATION DEADLINE
11 September 2024 at 23:39 CEST
Up to 12 places available

HOW TO APPLY

Please submit your application HERE
In the applications, you need to attach the following documents, in English and all merged into 1 PDF file:

  • One-page motivational letter
  • Company profile
  • Producer’s biography & filmography
  • List of current projects in development (with information and status on each project)

You have also to attach the declaration of participating, which you can find HERE

FOR MORE INFORMATION
Violetta Kamińska: violetta@nff.org.pl
Thijs van der Laak: thijsvanderlaak@ace-producers.com

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Call for Applications – ACE Training Days NL 2024

ACE Producers is pleased to announce the call for applications for the Training Days NL 2024, taking place from 8 to 10 October in Leiden and Amsterdam, The Netherlands.

The ACE Training Days NL is a tailor-made programme designed for emerging producers at relatively early stages in their careers, who are looking to expand their network and learn more about the international context of the audiovisual industry. The workshop welcomes producers working in fiction, animation and documentary, and strives to make the industry more inclusive and diverse.

For this workshop, a total of 12 producers (6 Dutch and 6 from neighbouring countries) will be selected to join the workshop. As ACE aims to encourage international collaboration, the call is open to emerging producers from The Netherlands, Belgium, Luxembourg, Germany, Aruba, Bonaire, Curaçao, Saba, Sint Eustatius and Sint Maarten.

Scheduled over three days, the Training Days NL will be themed around “The Essentials of International Co-Production”. This interactive workshop will include plenary sessions and case studies, as well as group meetings provided with the help of ACE consultants and producers who have notably strong track-records in marketing and promotion of international co-production projects, and who will share their knowledge and international expertise.

The ACE Training Days NL has been set up in collaboration with the
Netherlands Film Fund.

WORKSHOP DATES
8 – 10 October 2024

LOCATION
Leiden, the Netherlands

ELIGIBILITY CONDITIONS

  • Emerging producers at a relatively early stage in their careers, with an interest in international co-production (this workshop will not focus on line-production);
  • Producers should have at least one credit on a short film;
  • Producers will best benefit from the workshop when already working on a feature-length project in development;
  • Producers would need to be committed to attend the entire workshop.

FEES

  • Participation is free of charge for producers from The Netherlands, Aruba, Bonaire, Curaçao, Saba, Sint Eustatius and Sint Maarten.
  • For producers from Belgium, Luxembourg and Germany, the participation fee for the workshop is €300 (excluding VAT, if applicable).
  • ACE Producers will cover the subsistence during the workshop.
  • Travel and accommodation expenses that may arise will NOT be covered by the organisation.
  • Non-Dutch producers can apply to their local/national fund to support these expenses.

APPLICATION DEADLINE
26 August 2024, 23:59 CEST
(up to 12 places available)

HOW TO APPLY

Send the following documents (in English and combined into one PDF) to
ace@ace-producers.com
:

  • A one-page motivational letter;
  • A company profile;
  • Producer’s biography & filmography;
  • List of current projects in development (with information and status on each project).

FOR MORE INFORMATION
Contact us at ace@ace-producers.com.

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Titles by ACE members at Karlovy Vary 2024

CRYSTAL GLOBE COMPETITION

BANZO by Margarida Cardoso
Produced by Filipa Reis (ACE Portugal)
Co-produced by Frank Hoeve (ACE The Netherlands), Katja Draaijer (ACE The Netherlands)

THE HUNGARIAN DRESSMAKER by Iveta Grófová
Co-produced by Sára László (ACE Hungary)

PANOPTICON by George Sikharulidze
Co-produced by Anamaria Antoci (ACE Romania)

THREE DAYS OF FISH by Peter Hoogendoorn
Produced by Stienette Bosklopper (ACE The Netherlands)
Co-produced by Dries Phlypo (ACE Belgium)

XOFTEX by Noaz Deshe
Co-produced by Christophe Audeguis (ACE France)
Executive Produced by Eve Gabereau (ACE United Kingdom), Maria Drandaki (ACE Greece)

PROXIMA COMPETITION

STRANGER by Zhengfan Yang
Co-produced by Frank Hoeve (ACE The Netherlands)

WINDLESS by Pavel G. Vesnakov
Co-produced by Alessandro Amato (ACE Italy)

HORIZONS

ALL WE IMAGINE AS LIGHT by Payal Kapadia
Co-produced by Frank Hoeve (ACE The Netherlands)
and Gilles Chanial (ACE Luxemburg)

CROSSING by Levan Akin
Co-produced by Katja Adomeit (ACE Denmark)

DYING by Matthias Glasner
Produced by Jan Krüger (ACE Germany)

THE GIRL WITH THE NEEDLE by Magnus von Horn
Produced by Mariusz Włodarski (ACE Poland)
Co-produced by Madeleine Ekman (ACE Sweden)

GLORIA! by Margherita Vicario
Produced by Carlo Cresto-Dina (ACE Italy)

GRAND TOUR by Miguel Gomes
Produced by Filipa Reis (ACE Portugal)
Co-produced by Tom Dercourt (ACE France)
Associate produced by Viola Fügen (ACE Germany)

HOUSEKEEPING FOR BEGINNERS by Goran Stolevski
Produced by Marija Dimitrova (ACE North Macedonia), Ankica Jurić Tilić (ACE Croatia)
and Milan Stojanovic (ACE Serbia)

KINDS OF KINDNESS by Yorgos Lanthimos
Produced by Ed Guiney (ACE Ireland)

MY SUMMER WITH IRENE by Carlo Sironi
Produced by Giovanni Pompili (ACE Italy)

ON BECOMING A GUINEA FOWL by Rungano Nyoni
Produced by Ed Guiney (ACE Ireland)

SILENT TRILOGY by Juho Kuosmanen
Produced by Jussi Rantamäki (ACE Finland) and Emilia Haukka (ACE Finland)

THE VILLAGE NEXT TO PARADISE by Mo Harawe
Produced by Oliver Neumann (ACE Austria)

WHO DO I BELONG TO by Meryam Joobeur
Produced by Nadim Cheikhrouha (ACE France)

SPECIAL SCREENINGS

IN THE LAND OF BROTHERS by Raha Amirfazli & Alireza Ghasemi
Co-produced by Frank Hoeve (ACE The Netherlands)

Films by ACE producers awarded in Cannes

Grand Prix
ALL WE IMAGINE AS LIGHT by Payal Kapadia
Co-produced by Frank Hoeve (ACE The Netherlands)
and Gilles Chanial (ACE Luxemburg)

Best Director
GRAND TOUR by Miguel Gomes
Produced by Filipa Reis (ACE Portugal)
Co-produced by Tom Dercourt (ACE France)
Associate produced by Viola Fügen (ACE Germany)

Best Performance by an Actor
Jesse Plemons for KINDS OF KINDNESS by Yorgos Lanthimos
Produced by Ed Guiney (ACE Ireland)

Un Certain Regard – Best Director
ON BECOMING A GUINEA FOWL by Rungano Nyoni
Produced by Ed Guiney (ACE Ireland)

Un Certain Regard – Best Actress
Anasuya Sengupta for THE SHAMELESS by Konstantin Bojanov
Co-produced by Vincent Wang (ACE France)

Un Certain Regard – Special Mention
NORAH by Tawfik Alzaidi
Produced by Paul Miller (ACE Greece)

Caméra d’Or Prize
ARMAND by Halfdan Ullmann Tøndel
Co-produced by Koji Nelissen & Derk Jan Warrink (ACE The Netherlands)
Executive Produced by Dyveke Graver (ACE Norway)

Quinzaine – Audience Award
UNIVERSAL LANGUAGE by Matthew Rankin
Produced by Sylvain Corbeil (ACE Canada)

L’Oeil D’or
THE BRINK OF DREAMS by Nada Riyadh & Ayman El Amir
Co-produced by Marc Irmer (ACE France)