Author: Thijs van der Laak

ACE Project Spotlight: DAVOS 1917

DAVOS 1917 by Jan-Eric Mack, Anca Miruna Lăzărescu and Christian Theede will premiere at Zurich Film Festival 2023. The project was developed during the ACE Series Special 2 by Ivan Madeo, and produced with his colleague and business partner Stefan Eichenberger (ACE Switzerland)

As World War I ravages Europe, the noble resort town of Davos seems like an oasis of peace. Behind the scenes, however, a relentless battle between secret agents of the world powers is raging in neutral Switzerland. The young nurse Johanna Gabathuler unexpectedly gets caught between the fronts of the spies. To save her illegitimate daughter, she becomes embroiled in a deadly game with the German secret service. Set against the breathtaking mountain panorama of the Grisons, the spy thriller DAVOS 1917 unfolds a politically explosive chapter in European history.

How did the ACE Series Special benefit you as a producer, and your ACE project?
The Series Special 2 Programme was a great benefit for DAVOS 1917 both on the development level and on the project presentation level with our series bible. I will never forget the valuable dramaturgical exchange with Emmanuel Oberg. He was a tremendous blessing that I was happy to share with our head writer Adrian Illien. With my fellow producers, I was able to discuss a variety of financing scenarios even before we knew how the final financial setup for our high-budget series would come together. Another extremely valuable aspect was the exchange with colleagues from the programme about the production challenges we face day by day, not only on a legal, financial and negotiation level but also on a psychological and emotional level. Because our profession is truly extraordinary and affects our personal lives profoundly.

What was the most challenging in getting this series from script to screen?
The first difficulty for us and our writers’ room was to tell a story that is set in a small village in the middle of the Alps but is still as internationally relevant as possible – and in a way that never feels constructed. I think we succeeded quite well thanks to numerous research on the true events during World War I as well as the cross-national cooperation of dedicated writers, producers, and commissioning editors from Swiss Television SRF and German Television ARD Degeto. The second major difficulty was the endless script revisions that were necessary due to the constant inflation, be it because of Covid, be it because of the Ukraine war. We finished financing and writing our series DAVOS 1917 half a dozen times before we had to tap additional sources of funding and face simplifications and cost reductions at the script level.

What’s ahead for you and your company? What are you currently working on?
The variety of films we are currently working on at Contrast Film is as large as inspiring. In Locarno, we have just premiered OF LIVING WITHOUT ILLUSION by Katharina Lüdin, a first feature that is now touring the festivals. At the other end of the budget scale are two big productions that we will premiere at the Zurich Film Festival: our TV series DAVOS 1917 starring Dominique Devenport, Jeanette Hain and David Kross as well as the co-produced feature film STELLA. A LIFE by Kilian Riedhof, a multi-country co-production led by Letterbox Filmproduktion Hamburg and starring a mesmerising Paula Beer. Furthermore, we are in post-production of our historical feature THE TRAITOR by Michael Krummenacher with Luna Wedler, Fabian Hinrichs and the fascinating new talent Dimitri Krebs as well as in post-production of the documentary CAN LOVE BE SIN by Martin Witz, a Locarno veteran. We are also involved as a minority partner in STRAY BODIES, a film by Elina Psykou as a co-production between Greece, Switzerland, Italy, and Bulgaria. On top of that, several co-productions are in the pipeline and new series are in development. So, there is some work, but also excitement ahead for the company.

More information on the ACE Series Special can be found here.

Call for Applications – ACE Animation Special 2024

ACE Producers is pleased to announce the call for applications for the fifth ACE Animation Special. The workshop, which will be held in Dingle (Ireland) between 19 and 24 March 2024, is organised thanks to Creative Europe MEDIA, the Netherlands Film Fund, in close collaboration with Screen Ireland, Animation Ireland and Animation Dingle.

The workshop is aimed at experienced producers who want to diversify their activities to include, and/or deepen their knowledge of developing and producing long-form/feature film animation production for an international audience (cinema, broadcast or streaming).

16 to 18 producers will be selected for the workshop, preferably with a long-form/feature-length animation project at concept stage. Focusing primarily on the creative and financial aspects of feature and long-form animation production, the ACE Animation Special will offer sessions on animatic story development, international production workflows, the creative dynamics of animation production, financing strategies and international distribution. The workshop will also include one or more sessions on physical line production as well as case studies on completed animation projects. Group sessions, plenary sessions and one-to-one meetings will together build a workshop where producers learn from each other’s experiences and those of key industry guests.

WORKSHOP DATES
19 – 24 March 2024

LOCATION
Dingle, Ireland

ELIGIBILITY CONDITIONS

To be an owner, partner or associate of an independent film/animation/TV production company;
To be an ACE member or producer with a similar level of experience;
To have a long-form or feature-length animation project at idea or concept stage; producers without a project are also welcome to apply but must demonstrate a clear motivation.

APPLICATION DEADLINE
28 November 2023
Up to 18 places available

HOW TO APPLY
For more information or to request an application form, please contact info@ace-producers.com

PRODUCERS SELECTED FOR ACE TRAINING DAYS NORWAY 2023

ACE Producers has selected twelve emerging producers for the ACE Training Days Norway. Taking place from October 10 to 12, 2023 in Oslo, Norway, the workshop will focus on “The Essentials of Sustainable Film Production”.

This interactive workshop will include plenary sessions and case studies, as well as group meetings provided with the help of ACE consultants who will share their knowledge and expertise.

The ACE Training Days Norway has been set up in collaboration with the Norwegian Film Institute. It is connected to the ACE 33 Content Development Workshop (9 – 14 October, Oslo), which is a workshop within the ACE Annual Programme organised for the selected 18 experienced producers from Europe and beyond.

The ACE Training Days Norway is kindly supported by The Norwegian Film Institute, Oslo Filmfund, Østnorsk filmsenter, Midtnorsk filmsenter, and Oslo Film Commission

SELECTED PRODUCERS FOR ACE TRAINING DAYS NORWAY 2023

Karianne Berge, Indie Film AS

Sara Beate Eira, Screaming Fox Productions

Tøri Gjendal, Nordisk Film Production AS

Kjersti Sofie Greger, Klipp og Lim

Lillian Løvseth, Trollfilm

Bente Maalen, Blaane film AS

Ragna Midtgard, STÆR

Malene Oppheim, Oppheim Film

Vincent Saunders, Goodtime Picture

Kristoffer Sindre Vittersø, Monster AS

Sarah Winge-Sørensen, Stray Dogs

Dzenan Tarakcija, Blattematik AS

Together with the ACE Mentoring Programme, the ACE Training Days are part of ACE Springboard, a combination of programmes focusing on emerging independent producers to strengthen careers at an early stage. ACE Springboard provides participants with the tools needed to be adaptable and innovative in an ever-changing film industry – for a successful new generation of independent producers.

Please find more information here, for more information please contact us at ace@ace-producers.com.

ACE 33 Producers Selected

Lamia Chraïbi – Moon a Deal Films – France/Morocco
“The Shelter” directed by Talal Selhami

Marija Dimitrova – List Production – North Macedonia
“Parno” directed by Igor Ivanov

Adis Djapo – SCCA/pro.ba – Bosnia and Herzegovina
“Supermarket” directed by Nermin Hamzagic

Eve Gabereau – Modern Films – United Kingdom
“Cold Enough for Snow” directed by Jemima James

Emilia Haukka – Aamu Film Company – Finland
“Abyss” directed by Aino Suni

Monica Hellström – Ström Pictures – Denmark
“Bethlehem” directed by Larissa Sansour & Søren Lind

Dragana Jovović – Non-Aligned Films – Serbia
“In the Shadow of the Horns” directed by Ognjen Glavonić

Lionel Massol – Films Grand Huit – France
“Deepfake” directed by Ismaël Joffroy Chandoutis

Filipa Reis – Uma Pedra no Sapato – Portugal
“Cantiga” directed by Miguel Gomes

Esko Rips – Nafta Films – Estonia
“Serafima & Bogdan” directed by Veiko Õunpuu

Aline Schmid – Beauvoir Films – Switzerland
“A Year Without Summer” directed by Flurin Giger

Johannes Schubert – SCHUBERT – Austria
“Keep Her Quiet” directed by Franz Böhm

Radu Stancu – deFilm – Romania
“Magnum Opus” directed by Bogdan Mirica

Anton Máni Svansson – Join Motion Pictures – Iceland
“The Love that Remains” directed by Hlynur Pálmason

Marc Tetreault – Shut Up & Colour Pictures Inc – Canada
“Place of Ghosts” directed by Bretten Hannam

Snežana van Houwelingen – This and That Productions – Serbia
“Folk Play” directed by Mirjana Karanovic

Dagne Vildziunaite – Just a moment – Lithuania
“Kopeck” directed by Lina Lužytė

Agnieszka Wasiak – Lava Films – Poland
“Black Water” directed by Aga Woszczyńska

ACE Producers has selected 18 experienced independent producers to join the ACE Network after completing the 33^rdedition of its ACE Annual Programme. The selected producers from 17 different territories will attend three workshops throughout 2023 and 2024 moving the projects with which they applied forward.

The selection committee consisted of members of the ACE Board and Network, consultants, ACE president Antoine Simkine and director and head of studies Jacobine van der Vloed.

“We are looking forward to welcoming this experienced group of independent producers to the ACE 33 Annual Programme. They each bring their own expertise and perspective, and we’re excited to get to know them and collaborate over the coming months. They will make a fantastic addition to the ACE Network.”, Jacobine van der Vloed commented.

Four events make up the core of the training. The first workshop, dedicated to content development, will take place in Oslo, Norway in early October and will include group sessions and individual meetings, analysing the concepts, dramaturgy, and target audiences of producers’ projects. The workshop is supported by The Norwegian Film Institute, Oslo Filmfund, Oslo Filmkommisjon and Media Desk Norway.

In November, the second workshop, which offers the producers advice on possible financing strategies for their projects, will take place in Warsaw, Poland, with the support of the Polish Film Institute and in collaboration with Independent Film Foundation. The week-long workshop will be made up of interactive sessions exploring international financing opportunities and strategies through detailed analysis of the producers’ finance plans, with input provided by high-grade professionals from across the industry. The sessions offer a uniquely open exchange of experience and ideas which sheds light on the evolution of co-production practices, of public and private funding schemes, and of the global marketplace in the digital age.

The third workshop will look at the producers’ business strategies, providing them with models of sustainable company management and ways to build businesses that have real value. Group sessions and panel discussions guide the producers through keener applications of marketing techniques and diversified commercial activities. The Business Prospects Workshop will take place in France and is immediately followed by the ACE Annual Reunion, where the new producers will be officially welcomed into the ACE Network.

The Annual Reunion 2024 will be held in Bordeaux, France with the support of the ALCA Nouvelle Aquitaine, CNC and Département de la Gironde.

The ACE Annual Programme is supported by Creative Europe MEDIA, Netherlands Film Fund, Procirep, German Films, Téléfilm Canada, Screen Ireland, Focal and APA – Audiovisual Producers Association.

ACE Producers’ Films Awarded in Venice 2023

Golden Lion
POOR THINGS by Yorgos Lanthimos
Produced by Ed Guiney (ACE Ireland)
Co-produced by Ildiko Kemeny (ACE Hungary)

Orizzonti – Best Actress
EL PARAISO by Enrico Maria Artale
Produced by Andrea Paris (ACE Italy)

Orizzonti – Best Actor
CITY OF WIND by Lkhagvadulam Purev-Ochir
Produced by Charlotte Vincent (ACE France)
Co-produced by Denis Vaslin (ACE The Netherlands)
and Oliver Damian (ACE Germany)

Special Jury Prize & GreenDrop Award
THE GREEN BORDER by Agnieszka Holland
Co-produced by Diana Elbaum (ACE Belgium)
and Maria Blicharska (ACE France)

Call for Applications – ACE Training Days Norway 2023

ACE Producers is pleased to announce the call for applications for the Training Days Norway 2023 edition, which will be taking place 10-12 October in Oslo, Norway.

The ACE Training Days Norway is a tailor-made 2-day programme designed for emerging producers at relatively early stages in their careers, who are looking to expand their network and learn more about the international context of the audiovisual industry. The workshop welcomes producers working in fiction, animation, and documentary, and strives to make the industry inclusive and diverse.

A total of 12 producers will be selected to join the workshop in Oslo. The call is open to emerging producers from all regions in Norway.

Scheduled over two days, the Training Days Norway will be themed around “The Essentials of Sustainable Film Production”. This interactive workshop will include plenary sessions and case studies, as well as group meetings provided with the help of ACE consultants who will share their knowledge and expertise.

WORKSHOP DATES
10 – 12 October 2023

LOCATION
Oslo, Norway

ELIGIBILITY CONDITIONS

Emerging Norwegian producers, at a relatively early stage in their careers, with an interest in the international market and co-production.
Producers should have at least one credit on a short film.
Producers will best benefit from the workshop when already working on a feature-length project or series in development.
Producers would need to be committed to attending the entire workshop.
Producers who were selected for previous editions of Training Days Norway are eligible to re-apply.

FEES

Participation is free of charge for Norwegian producers, but we do ask for full commitment.
ACE Producers will cover the subsistence during the workshop.
All travel & accommodation expenses that arise will NOT be covered by the organisation.

APPLICATION DEADLINE
Applications are now closed (extended deadline was 10 September, end of day).

HOW TO APPLY
Send the following documents (in English and combined into one PDF) to ace@ace-producers.com:

A one-page motivational letter.
A company profile.
Producer’s biography & filmography.
A list of current projects in development (with information and status on each project).

FOR MORE INFORMATION
Contact Thijs van der Laak at: ace@ace-producers.com

Session for Dutch producers at the ACE Leadership Special

Thanks to support from the Netherlands Film Fund and CFAP, ACE Producers is pleased to invite 8-10 Dutch producers to participate in the session Becoming the Leader You Want to Be, which will happen under the umbrella of the ACE Leadership Special.

The aim of the ACE Leadership Special is to encourage and nurture successful, business acumen within the film industry, and equip participants with competence and confidence to provide effective leadership for their production companies and teams, and to become leaders through change.

The session will set producers on the path to discovering who they are as leaders and help them take the first steps on their leadership journey.

The 2-hour, interactive session will focus on three points.

Who you want to be as a leader?
Where do you position yourself as a leader and which steps you will take to grow?
The basics of leading a team: Listening, feedback and motivation

The session will be facilitated by Mark van der Grift (True Brands).

DETAILS:
Date: Tuesday the 19^th of September 2023
Time: 10:30 – 14:30, including a Networking lunch with members of the ACE Leadership Special
Location: The Unbound, Amsterdam, the Netherlands

INFORMATION

– We welcome producers working in fiction, drama series, animation and documentary. We strive to make the industry inclusive and diverse

– Participation is free of charge

– There are only 8 to 10 places available, producers need to be committed to attend the entire session

– Travel or accommodation expenses which may arise will not be covered by the organisation

APPLICATION DEADLINE
Extended deadline: Tuesday 12 September 2023

HOW TO APPLY
Please send an email (including your company profile) to info@ace-producers.com.

FOR MORE INFORMATION
Contact Al Williams alwilliams@ace-producers.com

BIO MARK VAN DER GRIFT
Mark has been active in the field of marketing and branding for around 25 years. He has worked for several communication and branding agencies, approximately seven years as a (interim) marketing manager for Red Bull and four years as the global marketing director for the Brazilian coconut company Obrigado, operating in Europe and North and South America. In these different positions he was leading and inspiring teams of professionals (4-20 people) in Amsterdam, California and Brazil.

He has facilitated workshops and sessions on branding, innovation and business development for a number of international brands such as Philips, Deloitte, Red Bull, and several non-profit organisations including Red Cross, Greenpeace and an international spiritual movement.

Mark has followed several trainings and courses in the field of leadership and personal development. Among others: Essence Training, Who am I, The Path of Love and recently the Tools for Life Leader Training (I-IV) and Co-active Coaching (Fundamentals). Furthermore, he is a certified practitioner of the Leadership Circle Profile. His mission is to contribute to true and conscious leadership by managers and brands in order to create organisations that act authentically and consciously.

For ACE Producers, and previously Binger Filmlab, Mark has developed programmes to help established producers develop their branding and strategy. He has written two books on the subject of branding: In 2005 the bestselling book The Brand Called I and in 2016 TRUE Brands, Branding in a New World. In 2012 he received a master’s in marketing strategy after studying communications, culture, organisation and management in his younger days.

Call for Applications – ACE Training Days Poland 2023

ACE Producers and Independent Film Foundation are pleased to announce the Call for Applications for the Training Days Poland 2023 which has been set up thanks to the support of the Polish Film Institute.

The ACE Training Days Poland is a tailor-made 2-day programme designed for emerging producers at relatively early stages in their careers, who are looking to expand their network and learn more about the international context of the audiovisual industry. The hands-on workshop welcomes producers working in fiction, animation, and documentary, and strives to make the industry inclusive, diverse, and collaborative.

For this workshop, a total of 12 producers (6 Polish and 6 total from neighbouring countries) will be selected to join the workshop taking place in Warsaw. As ACE aims to encourage international collaboration, the call is open to emerging producers from Poland, as well as Albania, Azerbaijan, Armenia, Belarus, Bosnia Herzegovina, Bulgaria, Croatia, Czech Republic, Estonia, Georgia, Hungary, Kosovo, Latvia, Lithuania, Moldavia, Montenegro, North-Macedonia, Romania, Serbia, Slovakia, Slovenia, and Ukraine.

The Training Days Poland will be themed around “The Essentials of Co-Producing: What’s the Deal with Negotiating”. The interactive workshop will include plenary sessions, case studies, as well as group meetings provided with the help of ACE consultants and producers who have notably strong track records in international financing, co-production, negotiation, sales, and distribution, and who will share their knowledge and international expertise.

The ACE Training Days Poland is connected to the ACE 33 Financing Strategies Workshop (20 – 25 November, Warsaw), a workshop within the ACE Annual Programme organised for the selected 18 experienced producers from Europe and beyond.

WORKSHOP DATES
22 & 23 November 2023 (the workshop starts at 09:30 in the morning, therefore international participants should arrive on the 21^st and depart the 23^rd after 18:00).

LOCATION
Warsaw, Poland

ELIGIBILITY CONDITIONS

Emerging producers with an interest in the international market and co-production (this workshop will not focus on line production).
Producers should have at least one credit on a short film.
Producers will best benefit from the workshop when already working on a feature-length project in development.
Producers would need to be committed to attend the entire workshop.
Producers who were selected for the 2022 TD Poland are eligible to re-apply.

FEES

Participation is free of charge, but we do ask full commitment.
ACE Producers will cover the subsistence during the workshop.
All travel & accommodation expenses that arise will NOT be covered by the organisation.
The producers can apply to their local/national fund to support these expenses.

APPLICATION DEADLINE
September 1^st 2023 (up to 12 places available) at 23:39 CEST

HOW TO APPLY – please submit your application HERE
In the application form, you need to attach the following documents, all merged into 1 PDF file (in English)

One-page motivational letter
Company profile
Producer’s biography & filmography
List of current projects in development (with information and status on each project)

You also have to attach the declaration of participation, which you can find HERE.

FOR MORE INFORMATION
Violetta Kamińska: violetta@nff.org.pl
Thijs van der Laak: thijsvanderlaak@ace-producers.com

ACE Project Spotlight: La Bella Estate

LA BELLA ESTATE by Laura Luchetti will premiere at Locarno International Film Festival 2023 at the Piazza Grande. Producer Giovanni Pompili (ACE Italy) participated with the project in the ACE 30 Annual Programme.

1938. Young Ginia has just moved to Turin from the countryside. Looking for adventure she discovers the dazzling artists’ world and begins an affair with a painter. Amelia, the model who leads her into the bohemian quarters, is sensual, free, and different from anyone she has ever met. During her ‘beautiful summer’, Ginia yields to her first great love, celebrating the courage to be truly herself.

How did the ACE Annual Programme benefit you as a producer, and your ACE project?
Participating in the ACE Annual Programme definitely was a turning point for my education and career, as well as strengthening my industry knowledge and my international network. Meeting and sharing with my peers always brings different points of view on common topics and this is absolutely the greatest value the experience can bring. It helped me a lot to be able to look at myself from the right distance to my professional experience and to the company management.
And: The Annual Programme doesn’t finish with the workshop, but the ACE journey starts with it, being part of the association today is extremely important.

Unfortunately, we experienced it in the first year of the COVID-19 pandemic and we were still not used to handling this kind of online engagement. I did the first session from a hotel room while we were in Sardinia on the set of a shooting (SILENT LAND, co-produced with Lava Films and I/O Post) with COVID alert and protocol to manage and it was difficult to stay 100% focused. However, the ACE team did a tremendous job of making it as interactive and inspiring as possible. The feedback from my script team was invaluable, it was really the confrontation I needed at that time.

What was the most challenging in getting this film from script to the screen?
Making a film based on a book is always a great challenge. If the book is written by Pavese, a master of Italian literature, the challenge is even greater. With Laura, we talked a lot and the only way to respect such an important author was to make him our own. So, the script itself was the first challenge. In the production build-up, we had another big challenge given the fact that the film was supposed to be a co-production with France but four months before shooting everything fell through.
Thanks to our associate partners Lucky Red, Tapeless and True Colours who are handling international sales, we’ve managed to get to the set without changing or reducing the shooting days.

What’s ahead for you and your company? What are you currently working on?
In San Sebastián we will premiere in competition with PUAN, directed by Maria Alche and Benjamin Naishtat, a film I’m super proud of! It is an Argentinian-Brasilian-Italian-French-German co-production, led by Pasto and Pucara Cine together with Infinity Hill – Pandora Filmproduktion (Germany) – Atelier de Production (France) – Bubbles Project (Brazil)

In post-production, we have currently two films, the second feature by Carlo Sironi starring the French actress Noee Abita and co-produced with Julie Billy at June film in France and a minority co-production with the Netherlands based on the book A Beautiful Imperfection by Arthur Japin. It is produced together with Maarten Swart at Kaap Holland Films and Eye-Works Belgium starring Dar Zuso and Jonah Hauer-King.

In October we will have the principal photography of POLVO SERAN, directed by Carlos Marques-Marcet in co-production with Lastor Media (Spain) and Alina Films (Switzerland).

We are developing more films, both majority and minority co-production, it is in our souls to work on stories regardless of the passport of the authors. But the biggest challenge is to structure the company so that it can be independent of me, that is, to train professionals who can one day carry on what I started ten years ago.

ACE Project Spotlight: Sweet Dreams

SWEET DREAMS by Ena Sendijarević will premiere at Locarno International Film Festival 2023 in Concorso Internazionale. Producer Erik Glijnis (ACE The Netherlands) participated with the project in the ACE 30 Annual Programme.

1900. A secluded island full of flora and fauna. Amidst another sugar crisis, Jan — patriarch and head of a sugar factory — dies, leaving his two women to their own devices: Agathe, his wife, and housemaid Siti, the mother to his bastard son. A family reunion follows. When the illegitimate son turns out to be the only heir, it’s every man, woman, child, plant, and animal for themselves…

How did the ACE Annual Programme benefit you as a producer, and your ACE project?
ACE 30 was an extraordinary edition as we started during the COVID-19 pandemic. We had the pleasure of participating in the ACE Annual Programme for over one and a half years. During that time, I developed SWEET DREAMS together with writer/director Ena Sendijarević from the first draft until a shooting script and from the start, it was clear that it was an ambitious project.
My fellow producers within the group helped shape both the content and financial set-up of the film. At the end of my ACE journey, we moved forward to a shooting period in the Summer of 2021. The shoot was bound to take place in Indonesia, however, the Delta COVID variant really hit hard that summer. During our pre-production, we had to stop due to safety reasons. Later, we tried to re-set it up in Indonesia, but also started researching alternatives, and came across the island of La Reunion and eventually moved the production there. We finally shot the film a year later in the summer of 2022. It was an extremely tough period. I’ve learned a lot from this process, from my fellow participants’ input and from being involved in helping them with their projects.

What was the most challenging in getting this film from script to the screen?
On a productional level, it was what I mentioned above, creating a period piece with a small budget amidst COVID-19. The co-production structure was Dutch, Swedish, Indonesian, and French, getting our different cultures and way of working in line and being the first ever international co-production to shoot in La Reunion meant we had to work very structured. I should not forget to thank my dear colleague Leontine Petit (ACE NL) and my producing partners: Erik Hemmendorff (ACE SE), Judy Tossell (ACE DE), Kristina Borjeson (FilmiVast), Mandy Marahimin (Tala Media, Indonesia) and Laurent Medea from (TikTak production, La Réunion). We had just completed the co-production PLEASURE, where Plattform was the majority producer, and it was great to continue our relationship and collaborate on SWEET DREAMS.

What’s ahead for you and your company? What are you currently working on?
We’re happy our different outfits (Lemming Film Netherlands, Belgium, and Germany) have a lot going on in terms of production. In the meantime, we’re working on our development slate and strengthening the organisation and our team. We’re also spending quite some time on the creative alliance we’re part of called The Creatives to further intensify our collaboration.

Regarding the projects: We’re in post-production with Tallulah Schwab’s MR. K, Lucrecia Martel’s CHOCOBAR, Stefanie Kolk’s MELK, Wang Xiaoshuai’s ABOVE THE DUST, Justin Andersons SWIMMING HOME and Isabella Eklöf’s KALAK.

This fall, I’m finally shooting David Verbeek’s feature film THE WOLF, THE FOX & THE LEOPARD, a co-production between The Netherlands, Luxemburg, Croatia, Ireland, and Taiwan. We’re involved as a minority co-producer in VÄRN, directed by John Skoog, and produced by Erik Hemmendorff and Caroline Drab (Plattform), with Denis Lavant as the lead. We’re also working on SKIFF, a feature film by Cecilia Verheyden, produced by Elisa Heene (Mirage Films). In the Spring of 2024, I’m shooting Michiel ten Horn’s ANY OTHER NIGHT with our German (One Two Films) and Canadian (Lithium Studios) partners. We also have two series and a high school comedy going into production in the first half of 2023, so it’s pretty packed until next summer with a wide variety of great projects.